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“Racconti Gotici/Gothic Tales” (#2): Specchio oscuro/Dark Mirror Artwork - Limited Edition of 25

Marco Mattiuzzi

Italy

Digital, photorealistic rendering on Canvas

Size: 31.5 W x 31.5 H x 0.8 D in

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About The Artwork

"Our short, light robes do not shield us from his gaze. He watches us, his eyes on us. We look away, the fear that he might read beyond what we know frightens us. A force compels us to look, we cannot help but do so. And there it is again, motionless, staring at us in silence, scrutinizing our face, laying bare our soul. Our short, light robes do not protect us from his eyes." "Le nostre corte e leggere vesti non ci proteggono dai suoi sguardi. Ci osserva, i suoi occhi sono puntati su di noi. Distogliamo lo sguardo, il timore che possa leggere oltre quello che conosciamo ci impaurisce. Una forza ci obbliga a guardare, non possiamo esimerci dal farlo. Ed eccolo ancora lì, immobile che ci fissa in silenzio, scruta il nostro viso, mette a nudo la nostra anima. Le nostre corte e leggere vesti non ci proteggono dai suoi occhi."

Details & Dimensions

Digital:photorealistic rendering on Canvas

Artist Produced Limited Edition of:25

Size:31.5 W x 31.5 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Marco Mattiuzzi's training began when he attended a creative photography course held by Fiorenzo Rosso and Serena Leale, who oriented him towards the "artistic" photo. With techniques such as solarization, toning, tinting and various manipulations, he obtains images between painting and photography. Later he deepens the language of images during annual courses of professional photography with Bruna Orlandi, Alessandra Attianese and Pier Angelo Cavanna. He has exhibited in art galleries in both solo and group exhibitions, ZOOM has published his portfolio and his work has been reviewed in newspapers and magazines. Fiorenzo Rosso wrote about him: "The reproduction of the negative is not the final stage of the process, but the beginning, or rather the continuation of a path that will end, for the author, only after a long work of manual intervention". He has collaborated with Photographie Magazine and Disegno e Pittura, as well as newspapers with critical reviews on painters and photographers. He deals with art and communication in many forms, from music to literature, from photography to virtual reality, with writings regularly published on online cultural portals and on major social networks. For some years now he has replaced the camera and darkroom with the computer, creating virtual sets in 3D from which he obtains images for further processing and manipulation.

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