VIEW IN MY ROOM
. WAR FRAMES - 6 drawing techniques - graphite on paper, format - 50 x 70 cm The text and the images presented through the composition of drawings are designed by using internet search terms. They start from the date of the events which took place during premieres of certain films during WWII (the dates themselves are taken from Popovic’s diary, describing the exact same days), all the way to contemporary phenomena and concepts, as the current "war framework." 1. maj 1941 Citizen Kane (1941), Orson Wells 26. jun 1941 The Reluctant Dragon (1941), Walt Disney 23. oktobar 1941 Dambo (1941), Walt Disney 14.novembar1941 Suspicion (1941), Alfred Hitchcock 3.oktobar 1941 Maltese Falcon (1941), John Huston The compositional whole is shaped in the form of social networks design (Facebook, Instagram, YouTube...), in which images and text together create a a key picture relationship – a reproduced frame from the film and the manuscripts, preview images, status, hashtag, comments...
Drawing:Pencil on Paper
Size:27.6 W x 19.7 H x 0 D in
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.
For almost 10 years, I have been implementing the "Myth of the Constructor" project, which deals with the culture of memory. From the perception of personal (found and discarded) artefacts of the unknown citizen Luka Popović and his wife Jelisaveta, through the questioning of my own heritage and ancestors, oral traditions and family legends, artistic or public cultural heritage, such as the life and work of the artist Nadežda Petrović, or a legacy of diferent local tradition. I also play with styles, eras, traditions and contemporary practices - techniques, collective memory, archetypal forms, sensory experiences, sprituality, mythology, history (etc.) in relation to contemporary social circumstances. Permeating different narratives from the past in the context of the present day, I try to produce new experiences for the observer who, contrary to the current trend of artistic practices, returns to the ancent searching for the beauty of the world, healing, nature and humanism.
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