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Drawing, Ink on Paper
Size: 11.8 W x 15.7 H x 0.1 D in
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1076 Views
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Mixed media on fine art watercolor Hahnemühle "Moulin Du Coq" paper 425 g/m² 40 x 30 cm (15,74 x 11,81 in) Delivered not framed. 'A Depression Over The West' is an abstract vision of a landscape view from above. This title is inspired by a photo posted by Thomas Pesquet. I could see in my abstract vision some similar shapes and lines with the photographs taken from his point of view from space. I mixed drawing and painting with gestural organic shapes and doodles inspired of graffiti and calligraphy on contrasted prussian blue to create an effect of photographic blur focus.
2017
Ink on Paper
One-of-a-kind Artwork
11.8 W x 15.7 H x 0.1 D in
Not Framed
Not applicable
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France.
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The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
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Artist featured by Saatchi Art in a collection
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