BB #4 #2 Drawing by Ant Pearce

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BB #4 #2

Ant Pearce

United Kingdom

Drawing

Size: 21.5 W x 28.5 H x 0.1 D in

This artwork is not for sale.
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Art Description

Drawing: Paper, Fabric, Paint, Lace, Thread on Paper, Soft (Yarn, Cotton, Fabric).

Transcendental Aesthetic II (and III) follow on from Transcendental Aesthetic I. This three part series is based on images of Brigitte Bardot taken by Sam Lévin between 1959–1963, which Bardot said ‘…managed to capture my quintessential natural, reliable and sometimes even sublime beauty…thanks to him I will remain in the eyes of the world eternally beautiful, young and unforgettable’, (Sam Lévin, 2001, p. 6).
Part I was visualised during two concerts at Milton Hall, London, 2016; Bach’s Mass in B Minor in late October and select pieces from Beethoven’s later works, in early November, a three part series of ‘Late Style’ piano curated and performed by American pianist Jonathan Biss.
Part II and III mirror Biss’s three part series of ‘Late Style’ piano concerts. Part II was influenced by the Schumann’s Op133 and Brahms Op 118, performed in late March 2017 —exploring aspects of time, space and memory.
Use of colour in Part II and III were incited/motivated by Josef Albers ’Sunny Side Up’ show, which took place at the David Zwirner Gallery, London, in early 2017.

References

Lévin, S. (2001). Brigitte Bardot par Sam Lévin. France: PC Editions


Subjects:

Women

Styles:

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in New York, Los Angeles, London, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection