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Signed in pencil on the lower right of circle.
Close up detail of the line work.
Blue ink lines curve around the page and interplay to create a singular figure of a sphere. Composed of four blue lines revolving around an absent center. A minimal circle is formed that upon closer view reveals a maximal criss-crossing of lines. An entrance to another plane of existence.

"Blue Circle"
Pen and ink on paper.
55 x 55 inches
Faber-Castell Pitt artist pen india ink on Fabriano Artistico 100% cotton 140 lb paper.

Pin holes are in the paper as pins hold down my drawing apparatus.
Blue ink lines curve around the page and interplay to create a singular figure of a sphere. Composed of four blue lines revolving around an absent center. A minimal circle is formed that upon closer view reveals a maximal criss-crossing of lines. An entrance to another plane of existence.

"Blue Circle"
Pen and ink on paper.
55 x 55 inches
Faber-Castell Pitt artist pen india ink on Fabriano Artistico 100% cotton 140 lb paper.

Pin holes are in the paper as pins hold down my drawing apparatus.
Artist's drawing process.
320 Views
14

VIEW IN MY ROOM

Blue Circle Drawing

Mary Wagner

United States

Drawing, Ink on Paper

Size: 55 W x 55 H x 0.1 D in

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$5,350

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320 Views
14

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About The Artwork

Blue ink lines curve around the page and interplay to create a singular figure of a sphere. Composed of four blue lines revolving around an absent center. A minimal circle is formed that upon closer view reveals a maximal criss-crossing of lines. An entrance to another plane of existence. "Blue Circle" Pen and ink on paper. 55 x 55 inches Faber-Castell Pitt artist pen india ink on Fabriano Artistico 100% cotton 140 lb paper. Pin holes are in the paper as pins hold down my drawing apparatus.

Details & Dimensions

Drawing:Ink on Paper

Original:One-of-a-kind Artwork

Size:55 W x 55 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Going round-and-round is the central principle and action of Mary Wagner’s drawing practice. At the core, these drawings are simple, curvilinear paths arching about some absent center like an interstellar object flirting about a gravity well. The rigorous lines warm and complicate through repetition. Patterns pile on top of each other. The slim edge takes on form and depth, like cotton candy wisps or subatomic particles, cohering into something a bit more solid. Value and texture suggest dimension and movement. These things coax and combine into a sort of non-subject; or a subjective subject matter, inviting the viewer to project themselves. They are exercises in minimal purity, or expressions of chaos and order. They are complicated networks or psychedelic dreamscapes. Wagner was born and raised in rural Wisconsin. She lives and draws in Chicago. Her artwork is in private collections around the world.

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