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Censorship Is Always A Missed Call Drawing
Drawing, Colored Pencil on Paper
29.5 W x 41.3 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
This artwork is not for sale.
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Censorship is Always a Missed Call comes from a consideration about contemporary communication, especially about how communication is being adjusted to the meaning of representing and including as many people as possible. The subject, an old model landline phone, is drawn colored pencils on paper wi...
Year Created:
2022
Subject:
Mediums:
Mediums:
Drawing, Colored Pencil on Paper
Rarity:
One-of-a-kind Artwork
Size:
29.5 W x 41.3 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Need more information?
Born in 1996 in Milan, Italy. Representative Gallery - Punto Sull'Arte Gallery, Varese (IT). Valentina Diena’s work, which is mainly characterized by the technique of hyperrealism pencil on paper, contains the constant research of a mystical and also anthropological meaning in all those consumer goods that fill and decorate our everyday life. The artist searches and analyzes these objects as endless tiles of a single puzzle, the one of our collective memory but also of our contemporary identity, and then portray them through a thorough and detailed hyperrealism colored pencils on paper. In her drawings, the fetishization of the consumer good bumps into the very denial of the industrial product, a slow and strenuous technical process and a strong conceptual charge. The ambivalences that are typical of her research (picture - drawing, main character - walk on, appearance - meaning) direct the gaze to an endless research, while the use of colored pencils recovers and keeps alive the bond with a creative child experience that is shared and familiar to each of us.
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