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Cereal Boxes Series (1) Drawing

Naufal Abshar

Indonesia

Drawing, Marker on Cardboard

Size: 12.5 W x 18 H x 0.2 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is 1/2 of my 'Cereal Boxes' series. It comes with four various artworks representing the infamous cereal brands. I personally am a big fan of cereal, I can safely say that I have consumed cereal for breakfast for the most of my lifetime period. Thus, it gave me an idea to tell stories through t...

Year Created:

2020

Subject:
Mediums:

Multi-paneled Drawing, Marker on Cardboard

Rarity:

One-of-a-kind Artwork

Size:

12.5 W x 18 H x 0.2 D in

Number of Panels:

2

Ready to Hang:

Not Applicable

Frame:

Other

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Indonesia.

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Need more information?

Naufal Abshar is a promising young Indonesian artist, born in 1993 in Bandung. Trained at Lasalle College of the Arts and Goldsmith University of London, Naufal has participated in various group exhibitions in places as diverse as Singapore, Jogja, Venice and Lithuania. In 2013, he won the first prize in the Indonesia Arts Festival live painting competition. With his “HAHA” series, Naufal explores the roots and boundaries of humour and laughter. As an artist, Naufal is a student perhaps unconscious of the philosopher Henri Bergson who researched the meaning of laughter and observed its social function. “My work explores the amalgamation of the concepts of laughter and humour, which are universal to human culture. HAHA represents laughter in various activities, which are: laughing because we won something, laughing because we mock someone, laughing induced by craziness or it can be a rejection of fears. So in my work, I try to twist the role of laughter or humour into an activity of repetition that constructs social criticism. The prolongation of form on political humour can be found in most of my works, the use of satiric laughter illustrates how I use laughter as an activity that can imply criticism.”

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Curator - India Balyejusa

India Balyejusa, Senior Curator