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Chemical Beach: The Hive Drawing

Jude Lamb

Drawing, Pencil on Paper

Size: 25.6 W x 19.7 H x 0.2 D in

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;Digitally modified pencil drawing of something unseen: the world of my childhood. Forbidden places and poisoned beaches that I was only able to visit thirty years on. This is the coast of the Permian plateau of North East England; the chemical beaches of the Durham coalfield that Ridley Scott selec...

Year Created:

2013

Subject:
Mediums:

Drawing, Pencil on Paper

Rarity:

One-of-a-kind Artwork

Size:

25.6 W x 19.7 H x 0.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

We live in a mad old world,of short term cupidity (Oh Cupid...) and running around in circles. I've written too many statements that only read as portentous and trite, so I will try to explain the stream of conciousness that scratches out these drawings. Mention of the word Heritage, brings me out in hives, I don't know about you. Drawing is like radio, the colour is much brighter and the contrast sharper. Allegory is in the mind of the beholder. Geometry is the key that unravels the puzzle. Tourist traps are at their best in the pouring rain. How much that you actually saw can you remember? It was my art teacher at school who turned me into an outsider when she repeatedly demanded that I paint it now. I draw from memory and use Euclidian geometry to provide the structure. I push the point,so to speak, by forcing perspectives and people each image with those snapshots of where I have been and what I have seen in the same manner as we construct our dreams though the jokes and visual puns are deliberate I have exhibited in the past, in Britain and America, though as a sculptor and a maker,I was green woodworking consultant for a big arts project in London a couple of years ago. But this is back on the merry go round again and this portfolio is yet to be shown. There is a grammar to laying places in space and when you think about it: this is as ancient as civilisation. Once the rules are learned, there is this amazing freedom to throw a stream of consciousness against a fixed horizon... because that's what perspective is. It's all about the individual viewpoint and recently, we've all been witness to some extreme perspectives. Because each perspective is unique, there are associated manifestations that make it so; from the nature of the universe to the workings of the brain. I have great fun with such phenomena as pareidolia, lucid dreaming and the snapshot nature of memory, in a way that makes each image a cryptic puzzle to be solved into a narrative. This collection seems to have resolved itself into a comment on that oldest of industries. From Langdale Pike to Disneyworld; sightseeing, is the name of the game.

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