VIEW IN MY ROOM
Mexico
Drawing, Graphite on Paper
Size: 5.9 W x 5.9 H x 0.6 D in
Ships in a Crate
Motecuhzoma Xocoyotzin did not see nor was he told the supposed eight omens that heralded the end of an era, which would lead him to attempt suicide in the Cincalco cave. This tradition of dire signs was later brought by the Catholic religion and was taken as true history. Beyond that, it is very likely that this cave had a fundamental importance for the civilizations close (and not so close) to Chapultepec due to its location, the fresh water that emanated from it which fed Mexico-Tenochtitlan and because it was thought that inside lived the deified maize guarded by Huemac, the last Toltec tlatoani, who came to end his earthly life in this space. The Cincalco cave also appears, in a veiled way, in the story "Have to entertain yourself" (1972) by José Emilio Pacheco.
Drawing:Graphite on Paper
Original:One-of-a-kind Artwork
Size:5.9 W x 5.9 H x 0.6 D in
Frame:Other
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Mexico.
Customs:Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.
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Mexico
As an artist what motivates my work is the search for spaces in which relationships are established as horizontally as possible between the individuals who collaborate in the projects and those who will coexist daily with the pieces in the public environment. In the words of Claire Bishop, art should emerge from common interests that do not mask a conflict of individualization instead of confronting and exposing it, but open us to the critical experience of being together, even if this is sometimes strange, elusive or even annoying. To achieve this, one alternative is to take up again some characteristic elements of the sense of communality – described by Floriberto Díaz Gómez – such as consensus in assembly for decision-making, free service as an exercise of authority, collective work as an act of recreation and artistic practices as an expression of the communal gift. This contributes to blur the hermeticism that sometimes separates contemporary art from the public and, at the same time, experiences can be developed that allow us to move in the opposite direction to the dehumanization, fragmentation and individualization that are so characteristic of our times.
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