Dialogs Drawing

The work is part of the triptych "Dialogues" and is performed on a hardboard tablet. What would cities look like if all the people suddenly disappeared ? Surely each of us at least once thought about it , and maybe dreamed of being in such a reality . There is something incredibly attractive, magical in such an empty world-a world without the sounds of everyday life, without voices, footsteps, moving shadows … But this reality has come, and until now we can not believe in the present, which until recently was only a fiction. The streets of cities, parks, museums, all the places created by man for man-everything is empty . People were disappearing, and it was like one of Ray Bradbury's fantasy stories. Even before the events that changed our usual world, I managed to visit the "eternal" Rome, a city in which life has not stopped for several thousand years, which passes through a huge flow of people every day and which keeps traces of many wars and diseases in its walls .At that moment, there were no obvious prerequisites for future events, there was only a slight premonition of something unclear that was dissolving in the bright rays of the spring sun. On one of these days I went to the National Museum of Rome, and that morning I was the only visitor . Once in the deserted halls, on a level with the most ancient monuments of antiquity, I thought how organic and beautiful this space is without people, and most importantly-not lifeless . In these deserted halls, the sculptures exist in their own world, a world that man himself has created for them. It even seemed to me that there were certain dialogues between them and they didn't need viewers fussing about their existence . The sculpture, being in a convenient space for itself, became self-sufficient and alive . It is this feeling that I wanted to convey in my triptych "dialogues", immersing the viewer in the atmosphere of an ancient museum .