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Ghetto Drawing

Sandro Setola

Netherlands

Drawing, Charcoal on Paper

Size: 50 W x 18 H x 1 D in

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139 Views
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About The Artwork

Drawing: charcoal on red paper This cityscape, upon closer inspection, is made up of the word "ghetto" spelled horizontally and vertically across the horizon. Like a maze, there seems to be no overview or exit. One also never really reads the word Ghetto in full. Only when we make an effort we realize how easily it is to forget where we are in the world. The red and sort of washed out look add to the effect of a cityblock bathing in a smoggy summer heat. A place where most of the world's population is forced to live or perhaps chooses to accept as their home. Practicalities; Made during a working period in China. Included in the price is a custom made frame with museumglass. Even though this frame offers UV-protection the work should not be hung in direct sunlight for extended periods of time because it will affect the colour intensity.

Details & Dimensions

Drawing:Charcoal on Paper

Original:One-of-a-kind Artwork

Size:50 W x 18 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

At the basis of all my work is a strong fascination for natural processes and phenomena. In the work these dramatic universal processes like isolation, expansion, transformation, growth and decay, but also their relation to our more everyday, at times banal reality, are interpreted in a personal, poetic and concentrated way. In the drawings I often freeze processes that the viewer can continue in mind or propose dystopic places and buildings built from (yet) unknown matter. In my installations and animations I can bring to life these processes and create a "wholeness" or story. Since 2004 I have been mainly focussing on the subject of architecture and building processes and their underlying ideals (or lack thereof). Associations with architectural proposals allow these works to enter a twilight zone between desire and reality that in turn raises questions about their function or meaning. On the one hand they can be seen as comments on our everyday surroundings and urban environment by proposing buildings that seem to be designed for the expression of discomfort, spirituality or a lack of ideology or function. In other works the strong links to the aforementioned natural or universal processes and their psychological paralels prevail and cause the proposed structures to be nothing more but representations of a particular state of mind or personality. I live and work in Rotterdam, the Netherlands. My work is exhibited and collected internationally.

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