992 Views
140
View In My Room
Drawing, Charcoal on Paper
Size: 9 W x 22.5 H x 0.1 D in
Ships in a Tube
992 Views
140
To be able to fly like the birds seems so fascinating. Crows and/Ravens have always interests me...I think they are one of the most mysterious creatures in the world. I integrated charcoal & graphite on this piece. Charcoal powder is diluted for the background. The eye is selectively colored in red to portray some sort of "possession" so as to add more mystery to it's overall composition. I'm actually hoping to convey that sort of "danger" Climate Change could cause through this image...I think if we humans won't believe and actually listen to scientists perhaps animals could give us a "warning" of the truth behind what is impending... Parts of the feathers are drawn in coal we usually use in our garden (for our orchids) to add more depth. Coal has long been the primary power source in my home country (the Philippines), and large-scale power plants act as a safety crutch in the country’s quest for energy security. But the advent of cost-efficient renewable energy technologies is challenging coal’s dominance as the go-to energy source. Climate change is coal’s most serious, long-term, global impact. Chemically, coal is mostly carbon, which, when burned, reacts with oxygen in the air to produce carbon dioxide, a heat-trapping gas. When released into the atmosphere, carbon dioxide works like a blanket, warming the earth above normal limits.
2019
Charcoal on Paper
One-of-a-kind Artwork
9 W x 22.5 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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'What if?' will always be the question Ann Supan tends to ask herself every now and then. She is an Engineering graduate who knows she wanted to be an artist since she was 10 years old. Currently living in the U.S.A. Her main interest in art is portraiture as it is her ambition to express beauty and emotion on her work. She focuses mainly on likeness as her technique and style is simple. Recently, she has been making "dual portrayal" portraits in order to make her work "thought provoking" as well. She specializes in traditional drawing in the categories of figure drawing, illustration and shading using graphite and charcoal as her main medium. She also likes to use different mediums as shown on her selective impressionistic pieces. Through years of practice and explorations her artworks now revolves around realistic and impressionistic form. Although Van Gogh is best known for his landscapes, Ann greatly admire him for his thoughts and theories about art. Being such, Ann draws the line between "realism art" and the amazing "photo realistic/hyper realistic art" people call nowadays...as Van Gogh said - - "Accurate drawing, accurate colour, is perhaps not the essential thing to aim at, because the reflection of reality in a mirror, if it could be caught, color and all, would not be a picture at all, no more than a photograph." She takes pride on her hand drawings in terms of representing realism art though it's something not a lot of people appreciates. Impressionism, on the other hand, feels so liberating for her even though it's the form of art that can usually be misinterpreted. The profoundness of one's imagination may be beyond the reach of someone else. She first ventured on impressionism when she brought her ANIMESIA series to life last February 2013. As someone who has been employed by others to achieve their company's mission and vision, she tends to adopt these two in her own artist's perspective as well. - Her mission is to master her own style that would allow her to draw portraits with such likeness and sophistication in a short period of time. This, she hopes, would be highlighted in her SHADOWS series. - Her vision is quite unclear right now as her imagination is currently thronged with pictures of the unattainable. She does, however, wish to see her art being displayed and cherished in as many "places" as possible.
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