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landscape in siberia Drawing

Klemens Kühn

Germany

Drawing, Pen And Ink on Paper

Size: 16.5 W x 23.2 H x 0.4 D in

Ships in a Crate

This artwork is not for sale.

287 Views

4

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

landscape for a comic

Year Created:

2012

Subject:
Styles:
Mediums:

Drawing, Pen And Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

16.5 W x 23.2 H x 0.4 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Trees covered with letters from the Everafter, a hotel filled with stories of strange guests who don´t really fit each other, a space filled with ticking watches as a time tunnel, a coffin surrounded by obituaries accumulated in years, a meadow made from thousands of cable ties, a cupboard full of strange objects from the world of money, Roman bricks in the room of Peter Pan – Klemens Kühn always finds unexpectedly poetic pictures for everyday subjects and stories. In his function as a stage designer in the theatre or as an exhibition designer – his poetical rooms carry away the visitors. He playfully approaches serious topics with a lot of love for details and the ability to make people experience things physically as well as mentally. Never losing connection to the whole story, he succeeds in creating places where time stands still for a moment. With a lot of respect for the charm of the small everyday things his installations invite people to participate, to touch and be touched by what they see and hear. Drawers to open and close, letters to keep on writing, phones that tell authentic stories – his rooms seduce the visitor to investigate the world again with all his or her senses, as well as children do. The way we all did when we were younger and then forgot, sadly. What we keep from the visit of one of his exhibitions – whether the subject death, or the subject money, or time, or globalisation – a physical notion to have experienced something new - and a mind full of pictures. (J.Pf. 2012)

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