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Drawing, Ink on Canvas
Size: 5.1 W x 7.1 H x 0.1 D in
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Triptych of 3 little drawings/ paintings on canvas cardboard w13 x h18 x 0.2 cm / w5,11 x h7.08 in for each artwork. * Can be purchased individually. See my portfolio. * "Little Blue Bamboos N°3" is part of a series inspired by my last journey in Thailand and Vietnam. This series emphasizes the calligraphic gesture and the observation of bamboo. It is a way of synthesizing the abstraction and figuration of a vision between surface and depth. The black spot that I affixed as a basis for my previous research becomes a form, a plant form. The creative process of my latest creations seems to express my desire to represent a vision of my lands of origin, hitherto fantasized and remained abstract, through a more figurative vision of my confrontation with my original environment which is Asia. * "Little Blue Bamboos N°3" fait partie d'une série inspirée de mon dernier voyage en Thaïlande et au Vietnam. Cette série met l'accent le geste calligraphique et l'observation du bambou. C'est une manière de synthétiser l'abstraction et la figuration d'une vision entre surface et profondeur. La tache noire que j'apposais comme base sur mes précédentes recherches devient forme, une forme végétale. Le processus créatif de mes dernières créations semble exprimer ma volonté de représenter une vision de mes terres d'origine, jusque là phantasmée et restée abstraite, par une vision plus figurative de ma confrontation avec mon environnement d'origine qui est l'Asie.
Drawing:Ink on Canvas
Size:5.1 W x 7.1 H x 0.1 D in
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
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