








Drawing, Ink on Paper
31.8 W x 22.5 H in
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ABOUT THE ARTWORK
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SHIPPING AND RETURNS
"Little Blue Planet" is an abstract piece on high-quality printmaking paper in ink and collage. It was inspired by a small bottle of ink I had in my studio. When I tested the color on paper, I loved both the color and the effect of "drawing" with the applicator. As I continued to work with the appli...
Year Created:
2019
Subject:
Mediums:
Drawing, Ink on Paper
Rarity:
One-of-a-kind Artwork
Size:
31.8 W x 22.5 H x 0.1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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Contact us.I have been living and working in Philadelphia, PA since 2005. I received my MFA in Printmaking from Pratt Institute in Brooklyn and my BA in Philosophy from Mount Holyoke College in Massachusetts. I currently work in oil, acrylic and collage on canvas and paper; I also work in pen, marker and collage on paper and bristol. Throughout my career I have worked in a variety of media including painting, drawing, etching, silkscreen, lithography, paper-makimg, sculpture and new forms.
My work is based on naturally occurring forms from the woods of New England to the city streets of Philadelphia. Rocks; pebbles; stone walls; natural growths; and the detritus of cityscapes make their way into my unconscious and become my visual language. These amorphous pebble, stone, petal and cellular shapes are then infused with color, removing the element of nature and creating a saturated environment of abstract forms. My palette since 2011 is one of blues, pinks, roses, silvers, grays and greens and is evocative of calm, serenity, and frivolity. My use of collaged "remnants" from unused canvasses, drawings and found objects, which are integrated into the canvas, create depth and a push-pull between color, shape and texture. My current work on paper and bristol has returned to the simplicity of black and blue pen. I allow my art practice to happen organically and instinctively, without self judgment. Rather, the circularity of my studio work, from the use of heavily saturated oil to black and white, mimics the forms and shapes that appear in my work. My love of materials, process and mark-making is the impetus for my work and is what pushes each piece forward to it's completed form.
When I am not making art I visit galleries and museums in Philadelphia and New York, practice yoga and engage in community services. I also work with collectors, helping them to organize and inventory their art, antiques and other collectibles, through Jacoby ARTchiving.
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