VIEW IN MY ROOM
No lo he visto pero deja su nombre en indirectas Drawing
Colombia
Drawing, Charcoal on Paper
Size: 7.7 W x 4.6 H x 0 D in
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About The Artwork
This work is part of a series entitled "El gesto más leve", which reflects on actions that remind us of the lightness of life. This artwork is an approach from the plastic experimentation and the reflection about time. The reading and analysis of José Asunción Silva’s poems and the reflective exercise of poetic writing are the origin of this work. Time and nostalgia are keywords chosen to think over the moment gone. Represent time through language its work appropriate with it’s immateriality. But Does the artist a weaver within the thread of time? I chose charcoal like medium, because suggest time. In Nota suspendida, I explore the possibility of the image to capture time. Drawing capture the instant, the moment of un object that has the traces of time engraved on it.
Details & Dimensions
Drawing:Charcoal on Paper
Original:One-of-a-kind Artwork
Size:7.7 W x 4.6 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Colombia.
Customs:Shipments from Colombia may experience delays due to country's regulations for exporting valuable artworks.
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Colombia
Édgar Güiza live and work in Bucaramanga, Colombia. His work explores the construction of the subjectivity of the individual within the contemporary sociocultural context. His personal and professional training has guided his interests, seeking the integration of different languages in elements of his visual expression. This is how in his work he explores different techniques, drawing, painting and engraving being constant in his works. In his creative process he articulates the search for historical, literary and philosophical references; the use of photography as a basis and means of appropriation and the exploration of materials
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