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17
View In My Room
Drawing, Ink on Paper
Size: 14 W x 20 H x 1 D in
Ships in a Tube
3120 Views
17
Artist featured in a collection
The image of a woman in a green dress is illustrated using six lines from Imru al-Qais's 6th century classical Arabic poem "Let Us Stop and Weep" hand written in the Jali Diwani script. The piece is written in several different hand made and manufactured inks, all with light-fast pigments, written on Papier d'Elephant. English translation from W.A. Clauston's "Arabic Poetry", 1881: Her neck was like that of a milk-white hind, but, when she raised it, exceeded not the justest symmetry; nor was the neck of my beloved so unadorned. Her long coal-black hair decorated her back, thick and diffused, like bunches of dates clustering on the palm-tree. Her locks were elegantly turned above her head; and the riband which bound them was lost in her tresses, part braided, part dishevelled. Imru al-Qais's "Let Us Stop and Weep" is one of the seven Mo'allaqat, a collection of Jahiliyya (Pre-Islamic) epic or long poems, all written in the 6th century, considered to be the finest examples of Pre-Islamic Arabic literature. The Jali Diwani script was developed in 16th century Ottoman Turkey for mostly ornamental and bureaucratic use. It's complex interweaving of letters make it both highly ornamental and difficult to forge, hence why it was frequently used on official documents and seals. This piece is the first in a series of four, one each rendered in red, purple, blue, and green.
Ink on Paper
One-of-a-kind Artwork
14 W x 20 H x 1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Lebanon.
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Lebanon
Born 1988 in Nashville, Tennessee Currently working from my atelier in Beirut, Lebanon since 2011, I continue to pursue my education and understanding of Islamic Art and calligraphy. Working in the Diwani, Diwani Jali and square Kufic scripts, I use the words to create illustrations ranging from portraits to geometric abstract constructions. The work celebrates Middle Eastern and Islamic culture in addition to focusing on human rights in the post colonial era, with an emphasis on American and western foreign policy. With few calligraphers who use their words to illustrate rather than write, my greatest inspiration comes from Jila Peacock, and Hassan Musa. My aim is to eventually achieve the flawless legibility of Peacock's work while also grasping the visual accuracy with which Hassan Musa illegibly creates his animals and figures, using shapes and strokes inspired by calligraphy. As nearly all of the original work has been sold. I'm primarily selling limited edition facsimile giclee prints, on Saatchi, particularly only those in which at least half of the edition has already been sold.
Artist featured by Saatchi Art in a collection
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