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From the flat files: an oil pastel drawing on paper from 1997 depicting two velvet red sofas "conversing" with a modern transparent glass table illuminated by a Berenice Task Lamp designed by Alberto Meda & Paolo Rizzatto in the 1980s. Feel free to make an offer on this older work, I need to finance new work.  

At a basic level, my practice has always centered around documenting my life. Early on I realized how the things we choose to surround ourselves are a reflection of self. Inanimate objects have always been surrogates for the figure in my work. I tend to compartmentalize the elements in my compositions and thus create a conversation between objects. Mid-century modern design has influenced my work significantly as I collect design items from that period. Simple, clean lines, balance, and organic materials are characteristic of modernism. I approach my compositions as a design process similar to that of a product designer.

My work straddles between objective and abstraction. My early practice consisted of representational still life and interior subjects. During Graduate School my work shifted to complete non-objective imagery. In the last two years, I have revisited the natural world through depictions of botanical and still life objects while bringing abstract elements to the work. Flattening space and objects, mixed media, and masking are examples of techniques I applied from the abstract work to my representational pieces.

Botanicals became a logical progression away from non-representational work due to their inherent free form and abstract structure. Depicting collections of houseplants creates the narrative structure in the work. Various plant stands have become a recent fascination while in turn a way of organizing the compositions.

Image is on heavyweight smooth watercolor paper with 1" paper white border. Shipped rolled in a heavy duty tube, signed, dated, and titled on the back.
From the flat files: an oil pastel drawing on paper from 1997 depicting two velvet red sofas "conversing" with a modern transparent glass table illuminated by a Berenice Task Lamp designed by Alberto Meda & Paolo Rizzatto in the 1980s. Feel free to make an offer on this older work, I need to finance new work.  

At a basic level, my practice has always centered around documenting my life. Early on I realized how the things we choose to surround ourselves are a reflection of self. Inanimate objects have always been surrogates for the figure in my work. I tend to compartmentalize the elements in my compositions and thus create a conversation between objects. Mid-century modern design has influenced my work significantly as I collect design items from that period. Simple, clean lines, balance, and organic materials are characteristic of modernism. I approach my compositions as a design process similar to that of a product designer.

My work straddles between objective and abstraction. My early practice consisted of representational still life and interior subjects. During Graduate School my work shifted to complete non-objective imagery. In the last two years, I have revisited the natural world through depictions of botanical and still life objects while bringing abstract elements to the work. Flattening space and objects, mixed media, and masking are examples of techniques I applied from the abstract work to my representational pieces.

Botanicals became a logical progression away from non-representational work due to their inherent free form and abstract structure. Depicting collections of houseplants creates the narrative structure in the work. Various plant stands have become a recent fascination while in turn a way of organizing the compositions.

Image is on heavyweight smooth watercolor paper with 1" paper white border. Shipped rolled in a heavy duty tube, signed, dated, and titled on the back.
From the flat files: an oil pastel drawing on paper from 1997 depicting two velvet red sofas "conversing" with a modern transparent glass table illuminated by a Berenice Task Lamp designed by Alberto Meda & Paolo Rizzatto in the 1980s. Feel free to make an offer on this older work, I need to finance new work.  

At a basic level, my practice has always centered around documenting my life. Early on I realized how the things we choose to surround ourselves are a reflection of self. Inanimate objects have always been surrogates for the figure in my work. I tend to compartmentalize the elements in my compositions and thus create a conversation between objects. Mid-century modern design has influenced my work significantly as I collect design items from that period. Simple, clean lines, balance, and organic materials are characteristic of modernism. I approach my compositions as a design process similar to that of a product designer.

My work straddles between objective and abstraction. My early practice consisted of representational still life and interior subjects. During Graduate School my work shifted to complete non-objective imagery. In the last two years, I have revisited the natural world through depictions of botanical and still life objects while bringing abstract elements to the work. Flattening space and objects, mixed media, and masking are examples of techniques I applied from the abstract work to my representational pieces.

Botanicals became a logical progression away from non-representational work due to their inherent free form and abstract structure. Depicting collections of houseplants creates the narrative structure in the work. Various plant stands have become a recent fascination while in turn a way of organizing the compositions.

Image is on heavyweight smooth watercolor paper with 1" paper white border. Shipped rolled in a heavy duty tube, signed, dated, and titled on the back.
From the flat files: an oil pastel drawing on paper from 1997 depicting two velvet red sofas "conversing" with a modern transparent glass table illuminated by a Berenice Task Lamp designed by Alberto Meda & Paolo Rizzatto in the 1980s. Feel free to make an offer on this older work, I need to finance new work.  

At a basic level, my practice has always centered around documenting my life. Early on I realized how the things we choose to surround ourselves are a reflection of self. Inanimate objects have always been surrogates for the figure in my work. I tend to compartmentalize the elements in my compositions and thus create a conversation between objects. Mid-century modern design has influenced my work significantly as I collect design items from that period. Simple, clean lines, balance, and organic materials are characteristic of modernism. I approach my compositions as a design process similar to that of a product designer.

My work straddles between objective and abstraction. My early practice consisted of representational still life and interior subjects. During Graduate School my work shifted to complete non-objective imagery. In the last two years, I have revisited the natural world through depictions of botanical and still life objects while bringing abstract elements to the work. Flattening space and objects, mixed media, and masking are examples of techniques I applied from the abstract work to my representational pieces.

Botanicals became a logical progression away from non-representational work due to their inherent free form and abstract structure. Depicting collections of houseplants creates the narrative structure in the work. Various plant stands have become a recent fascination while in turn a way of organizing the compositions.

Image is on heavyweight smooth watercolor paper with 1" paper white border. Shipped rolled in a heavy duty tube, signed, dated, and titled on the back.
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Red Sofas and Glass Table
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Red Sofas and Glass Table Drawing

Michael Pfleghaar

United States

Drawing

Size: 30 W x 22 H x 0.1 D in

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About The Artwork

From the flat files: an oil pastel drawing on paper from 1997 depicting two velvet red sofas "conversing" with a modern transparent glass table illuminated by a Berenice Task Lamp designed by Alberto Meda & Paolo Rizzatto in the 1980s. Feel free to make an offer on this older work, I need to finance new work. At a basic level, my practice has always centered around documenting my life. Early on I realized how the things we choose to surround ourselves are a reflection of self. Inanimate objects have always been surrogates for the figure in my work. I tend to compartmentalize the elements in my compositions and thus create a conversation between objects. Mid-century modern design has influenced my work significantly as I collect design items from that period. Simple, clean lines, balance, and organic materials are characteristic of modernism. I approach my compositions as a design process similar to that of a product designer. My work straddles between objective and abstraction. My early practice consisted of representational still life and interior subjects. During Graduate School my work shifted to complete non-objective imagery. In the last two years, I have revisited the natural world through depictions of botanical and still life objects while bringing abstract elements to the work. Flattening space and objects, mixed media, and masking are examples of techniques I applied from the abstract work to my representational pieces. Botanicals became a logical progression away from non-representational work due to their inherent free form and abstract structure. Depicting collections of houseplants creates the narrative structure in the work. Various plant stands have become a recent fascination while in turn a way of organizing the compositions. Image is on heavyweight smooth watercolor paper with 1" paper white border. Shipped rolled in a heavy duty tube, signed, dated, and titled on the back.

Details & Dimensions

Drawing:Oil on Paper

Original:One-of-a-kind Artwork

Size:30 W x 22 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Michael Pfleghaar received his MFA in visual arts from Lesley University College of Art and Design, Boston, MA in 2011. Modern and contemporary design objects, architecture, botanicals, and interiors inspire Pfleghaar’s colorful representational and abstract paintings and drawings.
 At a basic level, my practice has always centered around documenting my life. Early on I realized how the things we choose to surround ourselves are a reflection of self. Inanimate objects have always been surrogates for the figure in my work. I tend to compartmentalize the elements in my compositions and thus create a conversation between objects. Mid-century modern design has influenced my work significantly as I collect design items from that period. Simple, clean lines, balance, and organic materials are characteristic of modernism. I approach my compositions as a design process similar to that of a product designer. The work straddles between objective and abstraction, with early paintings depicting scenes of representational still life and interior subjects. During Graduate School my work shifted to complete non-objective imagery. I often revisit the natural world through depictions of botanical and still life objects while bringing abstract elements to the work. Flattening space and objects, mixed media, and masking are examples of techniques I applied from the abstract work to my representational pieces. His artwork has been featured in Arcadia Magazine, Studio Visit, Metropolitan Home, Solace, and American Craft.
 Apple, CBS, ForeSee, Hayworth, and Urban Institute for Contemporary Arts are a few of the organizations that have utilized Pfleghaar's artwork as illustrations.
 Recently, Pfleghaar attended the Spread Art Artists Residency in Detroit, MI and in 2013 was awarded the Joan Mitchell Foundation’s Ox-Bow School and Artists Residency in Saugatuck, MI. His work was included in the 2012 LGBTQ exhibition ReMix: Revisiting Appropriation, curated by Jonathan Katz in San Francisco, CA. His original artworks are in permanent collections including the Grand Rapids Art Museum, Frederik Meijer Gardens, and Sculpture Park, Steelcase Inc., Herman Miller, the State of Michigan and Grand Valley State University.
 Podcast Interview: Bechiri, Holly, "Getting to Know Michael Pfleghaar" Light Conversations, https://www.lightgallerygr.

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