View In A Room
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VIEW IN MY ROOM
VIEW IN MY ROOM
Drawing, Fabric on Paper
Size: 8.3 W x 11.7 H x 0 D in
Ships in a Box
Artist featured in a collection
Showed at the The Other Art Fair
Transcendental Aesthetic I presents a series of ten small works of Brigitte Bardot, created during November 2016. Images taken by Sam Lévin between 1959–1963, which Bardot said ‘…managed to capture my quintessential natural, reliable and sometimes even sublime beauty…thanks to him I will remain in the eyes of the world eternally beautiful, young and unforgettable’, provide the foundation for this new series. (Sam Lévin, 2001, p. 6) Visualised during two concerts at Milton Hall, London, 2016; Bach’s Mass in B Minor in late October and select pieces from Beethoven’s later works, in early November; the theme of the series is linked to fragments from the opening writings of Immanuel Kant’s Critique of Pure Reason, Transcendental Aesthetic. Here Kant describes space and time as forms of intuition rather than concepts, since both rely on our sensibility not our understanding. There is only one space; ’…for all parts of space, up to infinity, are simultaneous…’ and only one time; ‘different times are only parts of one and the same time’, but they are successive not simultaneous. (Kant, 2007, p. 63, 67) Through experimental drawing, further developing the use of cotton fabric within each of the works, while combining the artist’s signature hand stitching with machine stitched elements — each multi-layered piece is an expression of space and time. References Kant, I. (2007). Critique of Pure Reason. London: Penguin Classics Lévin, S. (2001). Brigitte Bardot par Sam Lévin. France: PC Editions
Drawing:Fabric on Paper
Size:8.3 W x 11.7 H x 0 D in
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Ant Pearce’s practice focuses on the concept that man is condemned to exist imprisoned. He explores the fragility of life, drawing on human psychology. Influenced by Freud and the writings and philosophies of Dostoyevsky, Kafka, Camus and most recently Schopenhauer and Kant, his work alludes to the idea that the omnipresent external authority is what brings about man’s aberrant destructive behaviours. Through a web of cross-references between medium and form, the viewer is positioned before each work in discourse between order and chaos. Thus, bringing into visibility the sense of imprisonment and anxiety, which underlie human existence, and the instinctive desire to return to an inanimate state. Ant is an emerging British artist, based in London. He attended Central Saint Martins School of Art and Design, after which he studied the MA Visual Arts course at Camberwell College of Arts, graduating with Merit in late 2012. His work continues to be exhibited and collected in London, the UK, Europe and the US. He is currently represented by Artvera’s Gallery, Geneva, Switzerland and internationally via Artsy and White Court Art.
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