BB #4 #2


United Kingdom

Drawing
Size: 28.5 H x 21.5 W x 0.1 in

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Artist Recognition

Showed at the The Other Art Fair Showed at the The Other Art Fair

Art Description

Drawing: Paper, Fabric, Paint, Lace and Thread on Paper and Soft (Yarn, Cotton, Fabric).

Transcendental Aesthetic II (and III) follow on from Transcendental Aesthetic I. This three part series is based on images of Brigitte Bardot taken by Sam Lévin between 1959–1963, which Bardot said ‘…managed to capture my quintessential natural, reliable and sometimes even sublime beauty…thanks to him I will remain in the eyes of the world eternally beautiful, young and unforgettable’, (Sam Lévin, 2001, p. 6).
Part I was visualised during two concerts at Milton Hall, London, 2016; Bach’s Mass in B Minor in late October and select pieces from Beethoven’s later works, in early November, a three part series of ‘Late Style’ piano curated and performed by American pianist Jonathan Biss.
Part II and III mirror Biss’s three part series of ‘Late Style’ piano concerts. Part II was influenced by the Schumann’s Op133 and Brahms Op 118, performed in late March 2017 —exploring aspects of time, space and memory.
Use of colour in Part II and III were incited/motivated by Josef Albers ’Sunny Side Up’ show, which took place at the David Zwirner Gallery, London, in early 2017.

References

Lévin, S. (2001). Brigitte Bardot par Sam Lévin. France: PC Editions

Keywords: Space, Time, Brigitte Bardot, Female Portrait, Memory

Subjects: Women

Styles: Conceptual

Mediums: Paper, Fabric, Paint, Lace, Thread

Materials: Paper, Soft (Yarn, Cotton, Fabric)

Prints: Women Art Prints, Conceptual Art Prints, Paper Art Prints, Fabric Art Prints, Paint Art Prints, Lace Art Prints, Thread Art Prints, Paper Art Prints, Soft (Yarn, Cotton, Fabric) Art Prints

Artist Recognition

Showed at the The Other Art Fair Handpicked to show at The Other Art Fair presented by Saatchi Art in London, New York, Los Angeles

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