234 Views
13
View In My Room
Drawing, Charcoal on Canvas
Size: 87 W x 55 H x 1 D in
Ships in a Crate
234 Views
13
Drawing, charcoal and eraser on canvas This is a typical catalogue-order wooden house. Drawn with charcoal on canvas, then all openings in the house were erased. The smudgy spots still show their initial positions. It's a house grown shut. Isolated from the rest of the world. Notes: This work was the starting point for my preoccupation with architecture as a language for expressing mental states or personalities. Pretty much a key work. Made during the time of the Iraq invasion in 2003. Much later in 2011 when I was asked to make a new work for an outdoor exhibition in the Warandepark in Tilburg (Lustwarande RAW) I returned to this idea and made a life size wooden house, its planks freshly sawn from felled trees in the park. Similar to the drawing its openings also seemed to have grown shut. (see image 2) Practicalities: The canvas was especially prepared to mimic the qualities of paper, drawn upon and then stretched on a frame. It was fixated, pieces of eraser and charcoal dust and all still sticking to the canvas here and there. The fixation offers a fair degree of protection but ofcourse it is not wise to drag anything across the surface.
2003
Charcoal on Canvas
One-of-a-kind Artwork
87 W x 55 H x 1 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Netherlands.
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Netherlands
At the basis of all my work is a strong fascination for natural processes and phenomena. In the work these dramatic universal processes like isolation, expansion, transformation, growth and decay, but also their relation to our more everyday, at times banal reality, are interpreted in a personal, poetic and concentrated way. In the drawings I often freeze processes that the viewer can continue in mind or propose dystopic places and buildings built from (yet) unknown matter. In my installations and animations I can bring to life these processes and create a "wholeness" or story. Since 2004 I have been mainly focussing on the subject of architecture and building processes and their underlying ideals (or lack thereof). Associations with architectural proposals allow these works to enter a twilight zone between desire and reality that in turn raises questions about their function or meaning. On the one hand they can be seen as comments on our everyday surroundings and urban environment by proposing buildings that seem to be designed for the expression of discomfort, spirituality or a lack of ideology or function. In other works the strong links to the aforementioned natural or universal processes and their psychological paralels prevail and cause the proposed structures to be nothing more but representations of a particular state of mind or personality. I live and work in Rotterdam, the Netherlands. My work is exhibited and collected internationally.
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