"WaZoBia III" Drawing
Drawing, Charcoal on Paper
24 W x 36 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$794
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Unity in Diversity is a profound exploration of the rich cultural heritage of the Igbo people. The term “WaZoBia” is derived from the Igbo words “Wa,” “Zo,” and “Bia,” each meaning “come” in different dialects, symbolizing inclusivity and unity. This piece intricately weaves traditional motifs with ...
Year Created:
2025
Subject:
Styles:
Mediums:
Mediums:
Drawing, Charcoal on Paper
Rarity:
One-of-a-kind Artwork
Size:
24 W x 36 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Nigeria.
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Oluwakayode Bankole (BOF) is a Nigerian contemporary visual artist whose practice centers on the human figure reimagined as a vessel of light. Through a distinctive anthropomorphic language in which the head is replaced by a candle, he examines identity, consciousness, spiritual authority, and the fragility of perception.
Working primarily with graphite, charcoal, pastel, colored pencil, and acrylic paint, Oluwakayode constructs psychologically charged compositions defined by disciplined draftsmanship and symbolic restraint. The melting candle functions as both metaphor and mechanism, representing illumination, erosion, sacrifice, knowledge, time, and the cost of visibility. In his work, light is not passive; it consumes, reveals, diminishes, and transforms.
By removing the conventional human face and replacing it with flame, he destabilizes traditional portraiture and challenges assumptions about individuality and power. His figures exist in a state of becoming, burning, fading, or intensifying, confronting the tension between appearance and essence, presence and disappearance.
Oluwakayode’s evolving body of work positions the candle not merely as an object, but as a philosophical structure through which themes of faith, authority, vulnerability, and inner revelation are interrogated. His long-term vision is to develop a cohesive, museum-scale exploration of light as identity, establishing a distinct contemporary African voice within global figurative practice.
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