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What a monster am I? 10 Drawing

Nathalie Salé

France

Drawing, Ink on Paper

Size: 9.4 W x 12.6 H x 0.1 D in

Ships in a Crate

$395

Shipping included

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437 Views

11

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

monster

Year Created:

2015

Subject:
Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

9.4 W x 12.6 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

Need more information?

Need more information?

Born : 1964, France. Work and live in FRANCE In the world of Nathalie Salé, the luxuriant nature is omnipresent: one walks there as in a garden of delights, that of the memories of children, happy or painful, which became mysterious and obscure with the time. Fairies, princesses, monsters, animals are summoned to play the actors of tales, sometimes enchanting, sometimes dark. These intertwines of plants with shimmering colors, which entwine and interpenetrate in every corner of her works, strangely express the strong emotions of childhood, those which assail, in turn delicious and malicious. Something is flat, like a malaise so we seek or build a refuge with what nature wants to offer. Cabins without walls where only frameworks remain, buried castles, swarm sculptures, makeshift shelters appear as in the drawings that children remake tirelessly to tell us what they live and feel. Nature is beautiful in appearance but also cruel for its inhabitants. The lost paradise is not far away. Nathalie Salé comforts or torments us by dragging us into a maze of stairs that leads to a peaceful clearing or a disturbing undergrowth. We do not know if it is she who collects lost animals or if they are the ones who protect her against bad spells. Nothing is ever final in his paintings, We can imagine the worst as the best that makes his compositions captivating. A fragile balance that depends on the place of the canvas where the gaze of the viewer arises. E.J. Dupressoir, galerist

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