View In A Room
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VIEW IN MY ROOM
VIEW IN MY ROOM
From the series “Point me at the sky!”, oil and pencil on paper, 35.5 x 24 cm. When I was a young boy I danced like a madman following the tune of an old vinyl of my parents, "Point Me at the Sky" by Pink Floyd. I didn‘t understand the lyrics, I didn’t know that the song told of a pilot that crashes for a fault to his plane. I figured it was an exhortation to take the flight. In the bright contrast of the hot summer afternoons, I saw the black silhouettes of the birds flying against the backdrop of a clear sky. I saw the leaves of the plants filtering the sunlight, and revealing the consistency of their veins and in some cases the shadow of a small frog, motionless, resting on them. To the tune of that song, watching some fishes caught in a basin of zinc, I imagined them free and strong in their river, darting happy in the glow of the August sun. www.federicocortese.com
Drawing:oil on Paper
Size:14 W x 9.4 H x 0 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
I’m like a mouse in its box. A little mouse safe in its shelter, that passes his time gnawing the food stored for the winter. But my food are the drawings. I work within my home. My studio is a room of the house in which I live. In this relatively small space are accumulated all the materials and equipment I need to draw and paint, but in a certain sense also the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colors, but also, on the walls or placed in closets, paintings and drawings (I think each finished work is always an inspiration for the next, in somehow). A great source of ideas are books and music, and of course the PC. The graphics programs and virtual modeling programs have become over the years a valuable support, but obviously the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my own travels, all stored on the computer). It’s a small microcosm closed in on itself, rather impervious to the outside world (despite a large window with a beautiful view of Turin, almost always I work with the curtains closed). It is a bit as if the suggestions of the real world were allowed to enter here only after being filtered and digested, only after it has been already turned into experience. Exactly like a rat, eating quiet its supplies in its den, waiting for the end of winter. In my artistic research I've always been attracted to all that is sortable, classifiable. Perhaps this attitude stems from a primordial insecurity, and perhaps the illusion of putting order into chaos eases this concern. To start this game is sufficient to identify a subject that lends itself to variations, and the game consists precisely in identifying the rules that form the basis of possible changes. It 'a little like discovering a new language and trying to decipher the syntax, grammar, exceptions. With these assumptions, it is easy to see that the subjects of this research can be the most different and in fact my designs ranging from butterfly collections to herbaria, from ancient bestiaries to manuals of anatomy, maps, human faces, hands, pornography, flags ... They are all languages having their own vocabulary, and my attempt is to isolate it and reinvent it, trying to generate new meanings. Consider for example a road map or a map. They are born with a practical, precise purpose.
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