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roundabout Drawing

Paul Santoleri

United States

Drawing, glaze on Ceramic

Size: 17.5 W x 17 H x 0.5 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

the piece is a working drawing fragment for an installation that i created for the Philadelphia Int'l Airport, a 36 x 6 ft tile mural permanently installed there at one of the terminals. I was looking to create one individual tile that contained the kind of energy contained in the larger artwork...

Year Created:

2018

Subject:
Medium:

Drawing, glaze on Ceramic

Rarity:

One-of-a-kind Artwork

Size:

17.5 W x 17 H x 0.5 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

B.1965- Philadelphiadrawing is my key to the other side...line is my why at least for now...The work is a way to keep time, to maintain an awareness of my own relationship to my inner and outer world. I incorporate objects that I collect, images from dreams, flowers, blooming and decaying in my backyard, stories and postindustrial waste, and anything else that slips out of my brush and through my line. The images are loosely in the tradition of landscape, and often mountainous and dense. I wish the works to feel and be organic, to have no beginning and no end, to reflect a repetitive action, like the act of painting itself. I often reflect on the beauty in decay in my drawings, and the landscape gives way to a deeper storyline that disturbs and intrigues me. The work inevitably reflects my own views of the planets demise, and sometimes I use the flower as a metaphor for the life and death cycle of the natural world. But because I don't see a distinction between people and the environment, I find that the cycle itself is awesome, awful, and magical like the potential of artwork in itself. I travel often to challenge my senses to open up and breathe freely.

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Curator - India Balyejusa

India Balyejusa, Senior Curator