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Installation Anthroposcenic
Anthroposcenic part IV
Anthroposcenic installation
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Anthroposcenic IV Installation

Femke van Gemert

Netherlands

Installation, Textile on Wool, Yarn, Nets, Leather, Plants

Size: 137.8 W x 90.6 H x 98.4 D in

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$22,000USD

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About The Artwork

Anthroposcenic 225 x 200 x 450 cm 7 parts form the total installation We live in the anthropocene era. That means humans have had a tremendous effect, changed, the true matter of the planet. Plastic has merged with sand and formed new rocks. The composition of the air has dramatically changed, as has the water in the oceans. The tiny micro plastic particles are in the air we breathe, the water we drink, in animals and plants, in us. In this installation that effect is leading. We can not see this intens deep change, the mutating in organic systems and natural matter, that is happening. In the materials chosen for this installation, the organic, natural materials are combined with synthetics and plastics, the have merged, are combined in a dense way. But it is hard to see what is what, like we cannot see it in forests, oceans and in living organisms with the human eye. What comes from that? What remnants will be there after the anthropocene era we now entered? What is really happening if we see organic things deteriorate? Like leaves falling apart, or whilting flowers, when they are infected with the manmade synthetic? The parts of the installation reflect on these possible processes in the anthropocene time. The creation of this installation came from my concern for hte environment and pollution everywehre on planet etarth. materials used: horse hair, goat skin, sheep wool, linen, cotton, polyethylene vegetable nets, nylon, silk, polyester, flax, bamboo sticks, rubber.

Details & Dimensions

Multi-paneled Installation:Textile on Wool, Yarn, Nets, Leather, Plants

Original:One-of-a-kind Artwork

Size:137.8 W x 90.6 H x 98.4 D in

Number of Panels:7

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Femke van Gemert creates tapestries, wall-hangings, sculptures and installations made of 100 % recycled textiles. They can be works on commission, site specific designs with the use of discarded textiles from various sources. She does this because of a very strong conviction that we need to reconsider waste. Knowing the intense effect on the global environment and human labour conditions the textile and fashion industry has, Femke decided to not use any virgin materials for there artworks. She constantly works on a range of autonomous works. For Femke working with discarded fabrics and textiles is a continuous study and experiment of what she can do with these leftovers of our intensive consumer society. Resulting in art pieces made in various techniques that explore the possibilities of textiles in 2 and 3-D and in voluminous reliefs. “Every piece of textile has been designed, produced, and worn or used otherwise. Therefore, every piece of textile has a story, a particular atmosphere and beauty. Every piece of textile that I use has been eaten, digested and discarded by society, and is for me a fantastic medium to express myself.” Femke van Gemert creates unique, handmade and sustainable art objects from discarded textiles, taking the form of textile wall panels, tapestries, installations and site-specific pieces and soft wall coverings. Her work catches the beauty of imperfection and decay and by its tangible nature often evokes strong emotions with the viewer. “I’m not trying to improve the already existing fabrics I gather. It’s more that I want to create something that doesn't exist yet with the use of what is already there.” Combined in a new frame the used fabrics tell a new story, filling any room with a certain mood while on a functional level improving the acoustics. To make commissioned works even more personal, Femke can work with the commissioner’s own leftover textiles. Several publications in: Textiel Plus, FD Persoonlijk 2013, MInd Magazine China 2014, Bamboo magazine Brazil 2015, Arte1 national Brazilian tv, de Telegraaf the Netherlands, Bloom magazine, Stir Magazine, Vogue Espana, and many others.

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