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Soil/Soul Installation - Limited Edition of 10

Ross Cunningham

United Kingdom

Installation, Neon on Aluminium

Size: 39.4 W x 30.7 H x 3.9 D in

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About The Artwork

This piece of one-off, hand-crafted neon/argon lettering was inspired by seeing a work by Bruce Nauman in the Tate. The concept is based on a scripture in Genesis that explains how humanity was formed from the earth with the breath of divine spirit to create a living soul. The switching timer can be set from 0.1s to 1.5s (it's about 0.5s here). There is a small run (limited edition of 10) of these pieces planned. They are 1m wide by 750mm high.

Details & Dimensions

Installation:Neon on Aluminium

Artist Produced Limited Edition of:10

Size:39.4 W x 30.7 H x 3.9 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Ross Cunningham has worked in the creative industry for over twenty-five years. He studied architecture at Nottingham University, and subsequently worked in commercial graphic design, establishing a London-based design agency in 2009. Since then, Ross has worked internationally, across a range of sectors, with a primary role as creative director for various brand identity programmes. In his painting work, there is a natural emphasis on bold graphic elements and architectural form. Pre-production is often carried out digitally, combining traditional sketching with skills developed in commercial design practice. Specific artist influences cited are Richard Diebenkorn and Milton Avery. Of particular interest is the threshold between representational and abstract modes of painting. Diebenkorn’s Ocean Park series is noted as a high point of reference, where an expressive painterly style is complemented with an overall sense of architectural order and graphic simplicity. ​ Growing up on the coast in Northern Ireland, subject matter is often drawn directly from the sea. Common to much of the work is a sense of escapism, be it through nostalgic references or an exploration of iconic and faith-related narratives. Each painting contains its own battle to create order beyond the merely physical subject matter—to find some sort of harmony and rest in the final relationships of form and colour.

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