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Installation, Textile on Pressed Cardboard
Size: 31.5 W x 31.5 H x 0.4 D in
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A sunny and snowy winter day, where blue and white are in extraordinary harmony, warming the inside with all its warmth. An old embroidered work..Mindfulness, the dilemma of going to the past and the future, and the solution to all these situations. And of course, the indescribable feelings towards the unpredictability of life…By using such a style; While giving a new perspective to the concept of "in sight", I want to question the potential of our comprehension and the limits of our horizons...//"The story" is what blesses an ordinary sewing work; At the same time, the one who takes it to the fire to be burned...//I decided to wake up this sewing work called "Spring Branch-tr:’’bahar dalı’’(Japanese Quince)-EMBROIDERED in 1987" from such a sleep with the energy of art and present it to you by interpreting its name, story, past and future in my own way.//…Of course, when this (it) opens its eyes to the world as a work of art, what it will do is bring its story with it and interact with its environment. While doing these, it does not refrain from making its surroundings feel the creative artistic energy it contains as a synergy.…//This work, which I made by taking advantage of the unlimited freedom of contemporary art, appears as a "multi-dimensional" work of art (of course, with this claim, it naturally brings about some debates, but whatever).This feature is first explained through the terms and conditions of "sensibility"-"emotionality"-"intuition";''time'',''thought'',''moment'',''in sight'',''trivia(tr:IVIR ZIVIR)''','' story''; and shows it by interacting with other concepts.Secondly…… NOTES:*As part of the concept, there are small paint stains on the glass of the painting.The embroidered painting was in this state for years; it was not cleaned and presented without intervention, due to the authenticity of the concept of the artwork.*approximately 80cm-80cm in its final positioning.* embroidered painting (1d-35.5h-28.5w/cm)*VERTICAL-HORIZONTAL
2022
Textile on Pressed Cardboard
One-of-a-kind Artwork
31.5 W x 31.5 H x 0.4 D in
7
Not Framed
No
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Born in 1997, at Konya Turkey, Özyaman has been an undergraduate at Selcuk University’s Faculty of Law since 2017. Özyaman performed his first attempt as an act of art at the age of 3 as a result of his mischievous nature. This attempt was done so by imprinting the carpet with an iron that was obviously hot . Ever since the mark has been on display by being stepped on a daily basis. His first intentional art attempt was a short story about the "friendship and adventure of two wild animals" that he wrote in the second grade. This story, whose title was forgotten, which did not have a copy, and was thrown to the recycle bin with the notebook that contained the only original, was awarded first place at the class competition. He briefly showed interest in amateur nature photography at high school. At the beginning of 2020, he compiled and published the photographs taken without artistic concerns, which had been waiting in his gallery for years, with names containing symbolism under the title of "some fiction-some truth" on his VSCO blog. He has been working on expanding this album on and off. After his VSCO experience, he understood that his intellectual activities with the mix of the ways of thinking such as constructing, categorizing, comparing, transforming, etc. that occupied his mind ever since he was a little boy were closely related to the activity of "conceptualization". Thus he realized his predisposition to conceptual art. Around these times, he started to educate and improve himself in the field of art with YouTube videos and documents found online that contained evaluation, education, discussions related to art. Furthermore, he met and embraced the philosophy of “jack of all trades master of none” during the beginning of his university education. Thus he strives to become a broad-minded person by learning something new in a new field almost every day at the expense of extending his university education. Although Özyaman is a very active person in terms of theoretical thinking, he is just as lazy when it comes to putting them into practice. In light of all that has been said so far, the interruption of his student loan due to the extension of the university education has led him to get out of his comfort zone and put his theoretical thoughts and creativity into practice. Although not as majestic and long as Leonardo da Vinci's biography, he found himself writing this artist’s biography.
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