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Mixed Media, Acrylic on Canvas
Size: 19.7 W x 27.6 H x 0.8 D in
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$630
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ABOUT THE ARTWORK
Algorithm (noun): Set of operating rules whose application makes it possible to solve a stated problem by means of a finite number of operations. An algorithm can be translated, thanks to a programming language, into a program executable by a computer. This painting speaks of the norms of today's society and of compliance with the pillars of normalized life, which are the house, the car, the children and the money (particularly through work). In this painting, a young woman, languid in her sofa, comforts herself and checks whether she corresponds well to these injunctions by launching an algorithm which reviews her life: yes, she has ticked all the boxes and has, according to the program , successful life. Indeed, departing from one of the pillars is often perceived as deviance. Paper used: Cards of 1000 Terminals for the car, children's books for the house, book on sexuality for children and tickets of the Good Pay for the money.
DETAILS AND DIMENSIONS
Mixed Media:
Acrylic on Canvas
Original:
One-of-a-kind Artwork
Size:
19.7 W x 27.6 H x 0.8 D in
Frame:
Not Framed
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
France.
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The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how do we make our deep convictions coincide with the world around us? How to assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the gaze of others, social networks, money or even success? Annabelle rips, cuts and glues book pages and playing cards on the canvas, which she then covers with acrylic paint. The organic skin of the women that she portrays thus gives way to images and colors that make it possible to transcribe what they feel and who they are.
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