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Amazigh Artwork

Matia Chincarini

Italy

Mixed Media, Textile on Textile

Size: 27.5 W x 72.8 H x 1.5 D in

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$3,070

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About The Artwork

Amazigh è la prima lettera dell'alfabeto berbero, le tribù originarie del Marocco. Uomo libero è colui che è vicino al suo destino, alla sua anima. Uomo libero è chi gioca perchè immerso nella vita qui e ora. I disegni dell'arazzo da appendere, o del tappeto da calpestare, sono dei primitivi, altri uomini liberi, che ancora vivono in una società rituale e iniziatica. "Loro giocano ai giochi tradizionali che ho visto in Marocco, o di cui ho letto oppure ad altri che sono nati nella notte dei tempi, nella dimensione in cui anche gli animali giocano senza che nessun'uomo sia intervenuto. Una dimensione in cui il gioco fa nascere la cultura e anche la società di conseguenza, con le sue regole, le sue convenzioni e i suoi sviluppi"

Details & Dimensions

Mixed Media:Textile on Textile

Original:One-of-a-kind Artwork

Size:27.5 W x 72.8 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I come from two generations of painters and in my turn, I have tried to 'be' an artist by painting and participating in the art world. In 1996, even before completing my training as a Master of Art in Painting, I started exhibiting at public institutions and galleries and had my first teaching experiences. I have always felt the need to get out of the everyday: I have stayed many times in India, Brazil and Morocco for several months where I realised artistic and didactic projects. On my path of artistic and personal growth, I learnt to use my wounds to try to help others through art and beauty. I realised that by joining with high energies I could give myself to people and the world to 'be' an artist. I thus created a path by no longer thinking through the dynamics of an oppressive system, but by going towards a world in need of transformation and awakening. For me, the way to go in that direction is linked to the world of gaming: through our hands and bodies we live the experience that moves the invisible parts of us. Over time, my art has not remained still in itself, but has evolved to become 'social art' in the sense that the great German artist Joseph Buys intended: an art opposed to individualism that espouses the concept of democratisation and opens up to the public, to the group, to the shared realisation of the work as in my latest works. Today I aspire to the 'spiritual of art' that Kandinsky referred to, which leads to change and the evolution of the self. I currently work in education and training with children, adults and people with disabilities. I invent, construct and use my games together with art therapy as a method of personal and group development.

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