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Mixed Media, Acrylic on Wax

28 W x 22 H in

Ready to Hang

$1,380

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The figure of the dog-headed man is one of my earliest memories. I used to fixate on a picture of the god Anubis in a Disney Encyclopedia of mythology. It was my favorite book, and the Jackal-headed god of the underworld was my favorite. I have collected and done homage to that image ever since. He ...

Year Created:

2026

Mediums:

Mixed Media, Acrylic on Wax

Rarity:

One-of-a-kind Artwork

Size:

28 W x 22 H x 1 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Nicholas Angel

About the Artist

Nicholas Angel

United States

I am a child of the 80s. Growing up in an isolated, rural town meant turning to comic books, Dungeons & Dragons, and video games to fill the void. What I lacked, I invented. That spirit of invention drives my work today—not as mere artwork but as an act of worldbuilding.

I have imagined a forgotten chapter of ancient history, chronicling the culture and practices of a secretive cult that emerged in pre-dynastic Egypt. This nomadic desert tribe chose not to conquer but to conceal itself, weaving its hidden influence through the pre-Christian era. Though erased from history, their echoes remain—buried in artifacts, symbols, and whispered myths.

This fictitious world is intricate and interconnected, guarded by cryptic symbols, recurring motifs, and strange alphabets. It demands curiosity and dedication to unravel its mysteries. My ideal audience relishes the challenge of ‘cracking the code’—following clues, forming theories, and collaborating to piece together its secrets. For those willing to explore deeper, the work reveals Easter eggs, plot twists, and an open invitation to help complete the story.

Through vivid depictions of mythologies, ritual magic, and otherworldly beings, my prints and etchings resemble papyrus scrolls unearthed from the sands, their pages decayed. They echo a lost age, where crude and abstracted deities of chaos and void replace the idealized sun-worshipping pharaohs.

At its core, this project explores human nature. By imagining a civilization that never existed, I reflect on how ecology, politics, and the struggle for resources shape identity and belief systems. It is an interactive contemplation of culture, faith, and the shadows they cast.

Recognition:

  • Showed at the The Other Art Fair

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