
Mixed Media, Acrylic on Fine Art Paper
15.9 W x 11.9 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
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Pottery fragments wabi sabi Repurposing Meaning Afternoon tea Nostalgia
Year Created:
2020
Subject:
Mediums:
Mediums:
Mixed Media, Acrylic on Fine Art Paper
Rarity:
One-of-a-kind Artwork
Size:
15.9 W x 11.9 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.My work is a meditation on the intersection of the natural and the divine. Rooted in physical encounters with everyday objects and spaces, and equally informed by visionary, internal experiences, my practice explores the tension and harmony between the seen and the unseen. I am drawn to the transient beauty of daily life—its people, objects, and moments—as well as the eternal essence of the divine that resides within all living things. Through painting, small sculpture, and installation, I seek to express the interconnectedness of these realms and the emotional resonance they hold.
While I identify primarily as a painter, I embrace the term expansively. I work with acrylics and household paints to create large, lyrical landscapes and more intimate pieces that evoke the sensation of being both grounded in the physical world and attuned to something beyond it. My paintings aim to capture states of flux—moments suspended between transition and stillness, between clarity and ambiguity. I intentionally blur boundaries between forms and hues, softening delineations to create a fluid, painterly rhythm that oscillates between realism and abstraction.
Colour plays a central role in my work. I use natural palettes that are often displaced or intensified to heighten emotional and symbolic resonance. Light—its movement, reflection, and transience—is a recurring motif, offering both visual drama and metaphysical depth. It becomes a metaphor for the liminal space between physical perception and poetic intuition. I strive not to depict nature as it appears, but to reveal its mystery—its underlying charge and shifting presence.
My practice is influenced by a range of art movements, including Symbolism, Fauvism, Abstract Expressionism, and Impressionism. Like the Symbolists, I am drawn to the ineffable, to emotional and spiritual suggestion. From the Fauves and Bonnard, I take inspiration in colour's expressive power, and from the Impressionists, a reverence for the fleeting nature of light and time. These influences merge with my own internal language to form a visual expression that is intuitive, layered, and emotionally charged.
Ultimately, my work is an ongoing search for connection—for a visual vocabulary that bridges the material and immaterial, the momentary and the eternal. Each piece is a quiet offering: an exploration of what it means to feel deeply, to exist between worlds, and to translate the poetry of experience into form.
Recognition:
Artist featured in a collection
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