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Chris Botti Artwork

Carl Bradford

United States

Mixed Media, Guache on Paper

Size: 25 W x 38 H x 25 D in

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$15,750

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About The Artwork

Botti was born in Portland, Oregon, and raised in Corvallis, although he also spent two years of his childhood in Italy. His earliest musical influence was his mother, a classically trained pianist and part-time piano teacher.[5] He started playing the trumpet at nine years old, and committed to the instrument at age 12 when he heard Miles Davis play "My Funny Valentine". In 1981, he was selected as a member of McDonald's All American High School Jazz band, which marked his first Carnegie Hall performance. At the age of 17, he ended up at Mount Hood Community College in Gresham, Oregon, by convincing his high school to allow him to fulfill his remaining senior year credits there. Chris set his class schedule so that he could also play at Portland clubs in the evening. Mount Hood's program was headed by Larry McVey, whose band had come to be a proving ground and regular stop for Stan Kenton and Mel Tormé when they were looking for new players. It was here Botti played alongside his friend, trombonist and future Academy Award nominated filmmaker, Todd Field. After graduating from Crescent Valley High School, Chris studied under jazz educator David Baker and trumpet professor Bill Adam at the Indiana University School of Music.[8] Botti was also the recipient of two grants from the National Endowment for the Arts which allowed him to study with trumpeter Woody Shaw and saxophonist George Coleman during two consecutive summer breaks.

Details & Dimensions

Mixed Media:Guache on Paper

Original:One-of-a-kind Artwork

Size:25 W x 38 H x 25 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

JazzHead Studios is a collection of artworks inspired by and about the feelings and intensities from Jazz music. This collection all mixed mediums or original works on paper. www.studiob3creative.com My name is Carl H.Bradford III. I'm a bit of a creative idealist when it comes to my work. I surround myself with the many creative efforts of classic jazz and up and coming jazz musicians, bouncing between the older classics and the new. I feel I have a vast array of inspiration with all the past and present music available. Once I have that music in my ears, it inspires me to create my jazz works on paper. I search everywhere for jazz imagery, or I look in my own personal image collection for that perfect shot. As a graphic designer, I have been influenced by years of editorial image searches. Then hone in on an artist who is fully engaged in deep, musical thought. This is what pushes me to create the many layers that I call my JazzArt. My works can be subtle or dynamic, having color, texture and execution options. It is free flowing or graphic in nature. I work in a mixed medium approach using coffee grounds, watercolors, inks, dyes, pencils and pastels. I lock down each pass of the pastels with fixative, then add the next layer of emotion and color. For many years, I blended my multi-colored wash backgrounds with metallic, inks and dyes. This gave me a background on which to rest, or to pull out the figurative features in my compositions. This visually abstracted the coloring and highlights of my subjects. For the past 6 years, I have done the reverse - locking the features into the top layers with the background layers blended around the subjects. Though I’m still experimenting with new approaches, color techniques, formats and executions, I see myself capturing or recording the history of jazz for a new generation of traditionalists. The only way to survive is to evolve. The only way to evolve is to be creative.

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