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Mixed Media, Digital Painting on Canvas
Size: 30 W x 30 H x 0.2 D in
Ships in a Tube
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"Companions" is one of several pieces of digital paintings I created in the fall of 2017. I am driven by impressionism and expressionism fused into photography by the digital process. I am excited to express through story, brush strokes and color palettes. At the heart of this "painting" I find a compelling story of familiarity and companionship. The majestic fall aspen trees grow and thrive in an inclusive family relationship. They glow with the low afternoon sunlight striking their season ending leaves. Those leaves fall to nurture the following spring season emerging growth, and perhaps another new life enters the group. This is a Canvas Giclee created from a manipulated digital photographic image using "digital painting" techniques. I print all my editions in my own studio. Printing is performed on an Epson P9000 44 inch printer using the new eleven-ink UltraChrome HDX pigment inkset. After prints have thoroughly dried they are coated with a polymer based varnish with high levels UV inhibitors for protection and extended longevity. They are thoroughly hand inspected for quality and prepared with the utmost care. and other studies have claimed that this canvas/pigment ink/uv inhibitor coating combination receives a print permanence rating of up to 300 years when displayed in "normal room light”. Submitted to Saatchi Art as a limited edition 30 x 30 inch image on 40 x 40 inch canvas (5 inches of white all around to allow for stretching).The art is signed and numbered in lower right corner. Titled in lower left. Edition starts at 10 and ends when 50 of 50 is reached. The art is rolled up in a tube for shipping. It is recommended that you take it to qualified framer for stretching and final framing.
2017
Digital Painting on Canvas
1
30 W x 30 H x 0.2 D in
Not Framed
Not applicable
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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My photographic journey began in 1979. I was blissfully hoping to follow in the footsteps of some of the greatest photographic image makers at the time. During that time, it was mechanical cameras, film and chemically created work. By the time 2005 rolled in I was fully immersed in digital imaging. I could see that there was way more to accomplish with this new technological marvel. After years of fine art photographic scenic work, gallery ownership and commercial photographic pursuits I was beginning to feel a little trapped within the rigid nature of accepted fine art landscape photography. I felt “stuck” as a photographer. I was on a search for a sense of freedom in my work. I desired to push beyond the mediums limits of capture and print. I wanted to explore abstract, surreal and impressionist themes not readily associated with photography. Digital imaging tools became my fusion and the energy of such pushed at me constantly. I had an intense desire for something more. I was looking for photographic expression that was viscerally emotive. I wanted to know why I felt destined to pursue this. I started writing “Streams of Consciousness" as a result of reading “The Artist’s Way” by Julia Cameron. At the time, it was very influential with regard to my inner thinking and the effect it could have on the creative process. Injecting emotion into my images began to influence and alter my pathway. Somewhat victoriously, I felt like I was growing as an artist and realized there was a lot of work to do. Symbology and surrealism began to wash into my work at a slow pace. I was mysteriously discovering that “story” was beginning to share this new pathway with me. I wanted to say more in a very different way. I wanted to sense a freedom to express with color. Color theory was high on my reading list although I found it difficult to adhere to. I kept pushing with new tools and thought processes to hone in on my direction. Expression through line, stroke, space, balance, visual weight, foreground, middle ground, background and object began to find me. I was beginning to acquire a collection of visual tools I should have learned about so many years ago. As a result, a series of “photo impressionism” or “photo expressionism” images have come to life. They are just a beginning and I realize the work going forward will be even more challenging. I see so much more ahead. As always I feel a giddy excitement for the future……
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