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This artwork is a diptych of two pieces of 60x40 cm each. Series EPHEMERAL NESSENCE DIARIES.

Very often, when I am painting, I know that there are parts of my work that I must sacrifice for the sake of the composition of the painting as a whole.

Before continuing I take photos of the interesting parts that were ephemeral then, but that I have decided to reconvert into something different, new and lasting ever since. These portraits, diary of recovered fragments of my stroke, represent the inner world of my thoughts on that particular day when I was working on a painting that became a different version of my self.

About the material:

• Glicée Fine Art Print limited edition of 3

• paper: Hahnemühle William Turner (310 g / m²). Matte watercolor texture, natural white, handmade style paper.

• 60x40 cm X 2 modules.

• Signed and numbered on the front.

• carefully rolled on a tube and packaged inside a box
module 1
module 2
This artwork is a diptych of two pieces of 60x40 cm each. Series EPHEMERAL NESSENCE DIARIES.

Very often, when I am painting, I know that there are parts of my work that I must sacrifice for the sake of the composition of the painting as a whole.

Before continuing I take photos of the interesting parts that were ephemeral then, but that I have decided to reconvert into something different, new and lasting ever since. These portraits, diary of recovered fragments of my stroke, represent the inner world of my thoughts on that particular day when I was working on a painting that became a different version of my self.

About the material:

• Glicée Fine Art Print limited edition of 3

• paper: Hahnemühle William Turner (310 g / m²). Matte watercolor texture, natural white, handmade style paper.

• 60x40 cm X 2 modules.

• Signed and numbered on the front.

• carefully rolled on a tube and packaged inside a box
This artwork is a diptych of two pieces of 60x40 cm each. Series EPHEMERAL NESSENCE DIARIES.

Very often, when I am painting, I know that there are parts of my work that I must sacrifice for the sake of the composition of the painting as a whole.

Before continuing I take photos of the interesting parts that were ephemeral then, but that I have decided to reconvert into something different, new and lasting ever since. These portraits, diary of recovered fragments of my stroke, represent the inner world of my thoughts on that particular day when I was working on a painting that became a different version of my self.

About the material:

• Glicée Fine Art Print limited edition of 3

• paper: Hahnemühle William Turner (310 g / m²). Matte watercolor texture, natural white, handmade style paper.

• 60x40 cm X 2 modules.

• Signed and numbered on the front.

• carefully rolled on a tube and packaged inside a box
This artwork is a diptych of two pieces of 60x40 cm each. Series EPHEMERAL NESSENCE DIARIES.

Very often, when I am painting, I know that there are parts of my work that I must sacrifice for the sake of the composition of the painting as a whole.

Before continuing I take photos of the interesting parts that were ephemeral then, but that I have decided to reconvert into something different, new and lasting ever since. These portraits, diary of recovered fragments of my stroke, represent the inner world of my thoughts on that particular day when I was working on a painting that became a different version of my self.

About the material:

• Glicée Fine Art Print limited edition of 3

• paper: Hahnemühle William Turner (310 g / m²). Matte watercolor texture, natural white, handmade style paper.

• 60x40 cm X 2 modules.

• Signed and numbered on the front.

• carefully rolled on a tube and packaged inside a box
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Diptych Ephemeral Essence diaries 2 - Limited Edition of 3 Artwork

Bego Lafuente

Netherlands

Mixed Media, Acrylic on Paper

Size: 31.5 W x 23.6 H x 0.1 D in

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$2,010USD

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75 Views
15

Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

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About The Artwork

This artwork is a diptych of two pieces of 60x40 cm each. Series EPHEMERAL NESSENCE DIARIES. Very often, when I am painting, I know that there are parts of my work that I must sacrifice for the sake of the composition of the painting as a whole. Before continuing I take photos of the interesting parts that were ephemeral then, but that I have decided to reconvert into something different, new and lasting ever since. These portraits, diary of recovered fragments of my stroke, represent the inner world of my thoughts on that particular day when I was working on a painting that became a different version of my self. About the material: • Glicée Fine Art Print limited edition of 3 • paper: Hahnemühle William Turner (310 g / m²). Matte watercolor texture, natural white, handmade style paper. • 60x40 cm X 2 modules. • Signed and numbered on the front. • carefully rolled on a tube and packaged inside a box

Details & Dimensions

Multi-paneled Mixed Media:Acrylic on Paper

Artist Produced Limited Edition of:3

Size:31.5 W x 23.6 H x 0.1 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

artist statement “I explore the essence of ART: I am intrigued by the motifs of the works that endure over time, and those that fall into oblivion. I live art as a timeless conversation where not everything is said, where the essential is diluted in a whisper. As any observer in a museum I wonder-The meanings that I do not find, are at the same time, the ones that initially confuse me, arouse my interest and in the end enrich me with the discovery. The experience makes the piece always accompany me because in a certain way I become an artist also of that apparently unfinished art. That is what I finally intend when I create my art: I want you to be an active part of my living work. The meaning behind my art will be a "just for your eyes" and is left in your hands. So what do you want to contemplate? BIO Begoña Lafuente is a pictorial, graphic and multimedia artist whose career is rooted in her graphic design skills developed in Madrid at the beginning of the 90s. She intertwines her classical and artistic education as a graduate in Fine Arts with the latest trends in representation in constant research work while expanding her experience as a graphic designer, art director and illustrator working on corporate identity and advertising for various companies. In 2009, she moved to the Netherlands, where she interacts with local and international artists from different fields, integrating a new reality into her art that she fuses in her pieces with cuttings from the Spanish school. She plays with techniques like painting, collage, drawing, photography, scans and monoprints. The human being as a symbol of expression is a constant in her art; she creates emotional and visual tension through the use of thematic contrasts, colour opposites, and biological forms against geometric shapes, all representations of a constantly changing nature. Her portfolio also incorporates recognizable forms of the great masters of art history from a contemporary perspective. She often participates in local and international art fairs and exhibitions, and her work can be found in private collections throughout Europe and in the United States of America. Lafuente works out of her studio near the North Sea in the Netherlands.

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