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"Dreamgirl" Artwork

Jaime Panico

Mixed Media, Acrylic on Fiber

Size: 30 W x 40 H x 1 D in

Ships in a Crate

$2,385

Shipping included

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91 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Dreamgirl reflects the period of processing that follows survival. It is not the moment of escape itself, but the clarity that arrives afterward—when chaos recedes and events can finally be seen in proportion. Removed from immediate influence, the figure recognizes how easily one can become part of...

Year Created:

2025

Subject:
Mediums:

Mixed Media, Acrylic on Fiber

Rarity:

One-of-a-kind Artwork

Size:

30 W x 40 H x 1 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

I am a mixed media artist working through experience, memory, and survival. My work examines systems of control, identity, and power—how individuals are shaped by forces they did not knowingly choose. I experience heightened pattern recognition and a form of eidetic memory, where what may register as narrative or impression for others is retained as factual, sensory, and spatial information. This way of remembering shapes my relationship to experience and underpins my approach to making work. My practice is informed by academic study in economics, political geography, and identification, alongside professional experience in human resources leadership and luxury retail operations—environments structured around hierarchy, performance, and compliance. These systems, and the ways individuals are absorbed into them without consent, directly influence my visual language. I am particularly interested in gentrification and institutional systems, and the subtle ways participation is assumed rather than chosen. My current body of work, Games We Don’t Know How to Play, explores the realization of being part of a game without awareness or agreement—where destiny, control, and participation intersect after the fact. Through layered materials, repetition, and symbolic imagery, each painting functions as a record—holding memory, tension, and the ongoing attempt to understand what has already shaped us.

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