VIEW IN MY ROOM
France
Mixed Media, Paper on Canvas
Size: 25.6 W x 35.4 H x 0.8 D in
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On the official website of the Shoah Memorial, it is written: "The Shoah means 'catastrophe' in Hebrew. This term refers specifically to the killing of nearly 6 million European Jews by Nazi Germany and its collaborators during the period of the Second World War." It is estimated that the Holocaust decimated 40% of the Jewish population in the world and 50% of that settled in Europe. Esther is a biblical figure from the 5th century. av. J-C., whose first name seems to come from the old Persian stareh, "star", "star", recalling the Babylonian goddess Isthar. It is present in the Book of Esther. Wife of the Persian king Ahasuerus, from whom she hid her religion, she prevented the extermination of the Jews of the kingdom. In this canvas, I used two types of paper: the first pages of the autobiography "Un vie", by Simone Veil, where she recounts her deportation, and pages of the graphic novel "Anne Frank", by Ari Folman and David Polonsky. We see in particular the plan of the house where Anne was hidden with her family, as well as a visit to a veterinarian who accepts Jews. Like the grim statistics, I have proportionately split the two fates: Simone Veil, who survived, takes up about 60% of Esther's face, while Anne fills the remaining 40%, symbolizing the exterminated Jews.
Mixed Media:Paper on Canvas
Original:One-of-a-kind Artwork
Size:25.6 W x 35.4 H x 0.8 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how do we make our deep convictions coincide with the world around us? How to assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the gaze of others, social networks, money or even success? Annabelle rips, cuts and glues book pages and playing cards on the canvas, which she then covers with acrylic paint. The organic skin of the women that she portrays thus gives way to images and colors that make it possible to transcribe what they feel and who they are.
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