Lost in Wapping Artwork

The drawing has a long history of making. Intractable over long spans of artistic ongoing, it came into being as an effective artwork by partially blinding the beholders sight and treating some areas with shiny varnish. I used to like the film “Lost in Transition” very much, I learned to feel like that again on my recent stay in Japan, and I keep listening to “Lost in Kyoto” by Air. But all this — heavier, more reddish brown gray, more in a working class sense, bravely desisting from newer developments — is to be found in London, too. Why not hanging it in a spiritual context? The verso shows traces of the artworks history: There is a narrow circumferential rim of acid-free bounding tape on the back of the work as a reminder of a former gallery-framing. A 10×10 cm paper patch is applied on the verso’s top center to cover traces of the sometimes vigorous making. This even adds to the appearance, doesn't affect the front, and does no harm.