
Mixed Media, Digital on Other
27.8 W x 28.4 H in
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Marginal Dialects is the seventh part of Massimo Magee's series of seven works made in 2019, a crucial year for his practice. These seven works are audiovisual digital art pieces, each one designed to be read by the computer as both a visual still image and as a piece of audio, these being two read...
Year Created:
2019
Subject:
Mediums:
Mixed Media, Digital on Other
Rarity:
One-of-a-kind Artwork
Size:
27.8 W x 28.4 H x 0.1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.Massimo Magee is a writer, artist and musician based in London. He is the author of Manifesto (New Unities), a manifesto for his audiovisual digital art practice, published in 2017, the limited edition multimedia novel The Triptych, and a new audiovisual novel forthcoming from Eleusinian Press. He has been active in experimental and avant garde music for over a decade, and records for New York based 577 Records. In audiovisual art, his practice focuses on the creation of audiovisual digital art objects, each one designed to be read by the computer as both a visual still image and as a piece of audio, these being two readings of the same file in each case. The work draws equally on the twin lineages of abstract image making (particularly abstract expressionist painting) and experimental music, including avant garde classical and free jazz. This practice proposes an entirely new and thoroughly modern form of art in that it posits art objects that can only truly been 'seen' in their original state by the machine: while human observers require the audio and visual readings of the file to be separated out in order to perceive them, the computer sees both audio and visual aspects enmeshed within and between each other in the one file. In this way, the pieces examine the gulf between organic and electronic perception.
Recognition:
Artist featured in a collection
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