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Mixed Media, Acrylic on Canvas
Size: 12 W x 12 H x 0.5 D in
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This piece is round, 12 inch diameter. The Last Place is from my AM Radio series: AM RADIO The entirety of my direct experience with AM radio has occurred at night, in a car, on a highway. During one of these drives I was told, while listening to a man explain how he copes with his ability to read minds, that AM radio signals behave differently during daytime and nighttime. The science of AM radio functioning struck me as somehow poignant. AM radio crouches low and weak during the glare of day, but at night unfolds humble wings and reaches across great distances. From Wiki: During the day, AM signals travel by groundwave, diffracting around the curve of the earth over a distance up to a few hundred miles (or kilometers) from the signal transmitter. However, after sunset, changes in the ionosphere cause AM signals to travel by skywave, enabling AM radio stations to be heard much farther from their point of origin than is normal during the day. I am also moved by this: AM radio signals can be severely disrupted in large urban centres by metal structures, tall buildings and sources of radio frequency interference (RFI) and electrical noise, such as electrical motors, fluorescent lights, or lightning. Wiki. AM radio is driving through the middle of nowhere in the dark listening to the fringes of human endeavor being put forth with a no gloss earnestness and meandering passion. We use AM waves to project into the clear, dark everywhere/anywhere our most basic, contentious, awkward human endeavors–extreme partisan politics, religion, the supernatural, ufos, as well as, a few songs that you will never hear again anywhere else. The oddly hollow tone of AM radio further adds a layer of remoteness that relates to the cold, dark hum of deep space, with its vast distances between stars, planets, galaxies.
Acrylic on Canvas
One-of-a-kind Artwork
12 W x 12 H x 0.5 D in
Not applicable
Yes
Ships in a Box
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Counsel Langley grew up among shipwrights and foundry workers—people with strong traditional skills and respect for materials. Their influence played a large part in her choice to study metalsmithing at Massachusetts College of Art (earned her Bachelor’s of Fine Art, 1999). The rigor of metalwork honed Langley’s discipline, steady hand, attention for detail, and love for surface treatment (rough, smooth, matte, shiny, sparkly, natural, mechanical etc). Her work remains rooted in a metalsmith’s approach to making art. Langley’s mixed media pieces have been widely exhibited; venues include the Museum of Northwest Art, Roq La Rue, International Gallery of Contemporary Art, PUB Gallery at Peninsula College, OGHE Ltd., and Bridge Productions, and was recently featured in a Microsoft Surface Launch Campaign. Her work is held by the Seattle City Light Portable Works Collection and ArtsWA Public Collection. Langley’s work has been featured in Seattle Magazine, City Arts Magazine, Meat For Tea: The Valley Review, Trickhouse, Beautiful/Decay blog. Her love for cross-discipline collaborations sparked opportunities to work with literary publications Filter Literary Journal, Poetry Northwest Magazine, the creation of album art, scenic design, and illustration.
Artist featured by Saatchi Art in a collection
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