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The Toil Of Oil. Artwork

Jamie Andrews

United Kingdom

Mixed Media, Fabric on Gold

Size: 35.4 W x 47.2 H x 1.6 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Man's life and greed for riches, to be big, and to go faster. Boldly colourful and decorative, teasing the eye to be noticed, drawing a viewer closer, realising the narrative. The medium is like the subject matter of throwaway life. From found objects, old curtains, toys, badges and gold charms gl...

Year Created:

2022

Subject:
Mediums:

Mixed Media, Fabric on Gold

Rarity:

One-of-a-kind Artwork

Size:

35.4 W x 47.2 H x 1.6 D in

Ready to Hang:

Yes

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Jamie Andrews was born on the edge of Dartmoor, Devon. His inspiration to become an artist stems from his father, a dealer of art and antiques in the 1960s. Who encouraged him to playfully draw and look imaginatively at life, opening a world of visual communication and imagination. Moving from his beloved Dartmoor to the small Cornish town of Looe in 1976 at 14 years old was not a happy one, with a sudden realisation of growing up. Punk rock music and the attitude of no future dominated his mid-teens, creating a long-lasting rebellious streak. He defies limits and expectations, enjoying poking fun at more traditional methods of creating art. Working with a childlike playfulness and naivety with the introduction of toys and charms, often vintage, highly collectable pieces which the artist works into his acrylic paintings and sculptures as a means of playing with the idea of and subverting value. J’s vivid, tactile works bind a jovial, playfulness and innocence with much deeper messages, often darkly humorous accounts of politics, religion and the troubling events of contemporary society. Throughout the matter-of-fact and satirical documentation of worldly matters, J maintains a deeply rooted sense of compassion for his fellow man and the environment. His work is bound up in the essence of lost innocence, cleverly captured with a delicate balance between a bold display of raw tragedy with a nostalgic easiness and empathy.

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