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Virginie Artwork

Annabelle Amory

France

Mixed Media, Acrylic on Canvas

Size: 15.7 W x 15.7 H x 0.8 D in

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$720

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ABOUT THE ARTWORK

This painting is directly inspired by "Head of a woman wearing ram's horns", known as "La Bacchante", a tondo by Jean-Léon Gérôme, dated 1853. I had already made a copy of this painting during my master's degree and it It was important to me to pay tribute to this painter whom I appreciate very much. Obviously, I completely deviated from my original idea. As usual, what. Basically, I wanted to make a profile with nice, well-rolled horns, to recall the round support. And I end up with a three-quarter face and horns that unfold like airplane wings. I chose the first name "Virginie" for this painting because it is the name of the manager of the restaurant "La Chèvre qui Rit", in Colmar, where I currently exhibit paintings. Goat, ram, did you get the connection? Virginia is also one of the States of the United States of America where colonization was laborious, in particular on the island of Roanoke. Aren't Aries known in astrology to be stubborn, aggressive, brave and independent? The Amerindian Pocahontas also lived with her tribe of Powhatans in the region which was renamed Virginia when the Settlers arrived. On March 22, 1622, the Indians rebelled and massacred a quarter of the settled Colonists.

DETAILS AND DIMENSIONS
Mixed Media:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

15.7 W x 15.7 H x 0.8 D in

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The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how do we make our deep convictions coincide with the world around us? How to assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the gaze of others, social networks, money or even success? Annabelle rips, cuts and glues book pages and playing cards on the canvas, which she then covers with acrylic paint. The organic skin of the women that she portrays thus gives way to images and colors that make it possible to transcribe what they feel and who they are.

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