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"World’s Happiness" Artwork

Daryna Beznosenko, Poland

Mixed Media, Digital

27.6 W x 39.4 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

“World’s Happiness” — Daryna Beznosenko** “World’s Happiness” is an experimental work in which I consciously merge painting, digital graphics, and structural elements of visual composition. Figuration is deconstructed — the human presence is reduced to a symbolic trace, immersed in a space dominate...

Year Created:

2025

Subject:
Mediums:
Mediums:

Mixed Media, Digital

Rarity:

One-of-a-kind Artwork

Size:

27.6 W x 39.4 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Poland.

Customs:

Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

World’s Happiness World’s Happiness is an ongoing artistic research examining happiness as a constructed visual and social system rather than an emotional ideal. My practice explores how repetition, structure, and visual norms shape collective perceptions of happiness in contemporary culture. Through painting, collage, and post-digital processes, I work with multiplied figures, fragmented forms, and controlled color fields to reflect the tension between individuality and mass experience. Happiness in my work functions as a normative image — something expected, performed, and reproduced. By translating this pressure into visual structures, I investigate how images influence emotional behavior and collective identity. Positioned between painting and expanded visual practices, my work treats the image not as a static object but as a dynamic system operating within space, memory, and perception.

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