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View In My Room
Mixed Media, Polymer Clay on Polymer Clay
Size: 2.5 W x 4 H x 0.5 D in
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Featured in the Catalog
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Through a healing tactile practice, I seek to understand connection and explore themes of feminism and gendered labor, memory and visibility. My practice centers around photographing daily life, with attention to color and light. I curate these photos as both works on their own and references. I document and find metaphors in childhood and motherhood. Using polymer clay and playdough, I draw material connections to craft, play, and domestic labor, while my imagery reflects the flickering memories of childhood and the early fog of motherhood. Water recurs in my work: a place of calm/chaos, peace/danger; a valuable diminishing resource; constituting ~60% of our bodies. My work takes on the blues of this blue-gold and the rainbows refracted in its ripples. I think about water’s history in my body (has it existed in the sea, the clouds, another body?), how my milk changed to suit my baby’s needs, and how her DNA might stay in me forever through fetal microchimerism. As our cells continue to morph and intertwine, does she remember floating in my womb? If water has memory, what does the body remember? How do our connections persist? I meditatively mix and blend colors, rolling and squishing the clay with my hands. I use a small clay blade and a sewing pin to shape and place each color onto glass where I build my images. I plan my cyanotypes and prints from photos, working carefully with light or a knife. Repetition of movement and precision of color are healing forces. As my hands stay busy, my mind wanders, unearthing childhood traumas and joys. By elevating “low-brow” child’s materials into a referent for the work of mothers, I’m making visible the often unseen act of mothering and ignored inner worlds of children.
Polymer Clay on Polymer Clay
One-of-a-kind Artwork
2.5 W x 4 H x 0.5 D in
Not Framed
No
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Rebecca Potts Aguirre (she/her, b. 1982, Montana) is an artist based in Southern California whose practice centers around documenting daily life. Her work explores themes of feminism and gendered labor, memory and visibility, trauma and healing. With a background in printmaking, Potts Aguirre works across media as materiality is central to her concepts. She is a member of Spilt Milk Gallery and is listed in the curated directories All She Makes and Visionary Art Collective. She was represented by Stay Home Gallery for 2021. Her work has been exhibited throughout the U.S. and in Europe and Australia at spaces including The Mildred Lane Kemper Art Museum, Zhou B. Art Center, New York Studio Gallery, Art Share L.A., and SoLA Contemporary. In 2010, her essay on art and climate change, “Creating a Fourth Culture,” was published in 20UNDER40: Re-Inventing the Arts and Arts Education for the 21st Century. Rebecca’s MFA Thesis in 2009 also addressed the role of art and artists in addressing climate change. She earned her MFA in Visual Arts from the Sam Fox School of Design & Visual Arts at Washington University in St. Louis and her BA in Studio Art & Geography from Middlebury College. Potts Aguirre founded and hosts Teaching Artist Podcast, coordinates the Teaching Artists’ Lounge, in collaboration with Victoria J. Fry, and runs Play + Inspire Gallery in partnership with Maria Coit. Rebecca is also a K-12 Curriculum Designer for The Art of Education University. She lives in Temecula, CA with her daughter and husband. She welcomes studio visits, commissions, and collaborations.
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