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kryokonit Artwork

Martina Tscherni

Austria

Mixed Media, Textile on Soft (Yarn, Cotton, Fabric)

Size: 55.1 W x 39.4 H x 2 D in

This artwork is not for sale.
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About The Artwork

Die Arbeit „Eisstaub (Kryokonit)“ besteht aus drei Bildebenen. Die erste Ebene bildet eine auf Stoffunterlage gedruckte Landkarte des Monte Everest Massivs, in dem M.T. und ihr Mann selbst unterwegs waren. Über die Landkarte legte M.T. am Computer bearbeitete Algenstrukturen. Diese mikroskopisch winzigen Algen finden sich in den grauen Ablagerungen der Gletscher und lagern sich nun auf dem Bild ab. In einem letzten Arbeitsschritt bestickte die Künstlerin einige der Algen Formen. Dieses Besticken verleiht ihnen eine Spur von Dreidimensionalität, macht sie bedeutsam und setzt sie völlig undemokratisch von der Menge der anderen Strukturen ab. In „Eisstaub“ verschränken sich großräumig topographische und mikroskopisch winzige Ansätze der Visualisierung von „Natur“ zu einem dichten Feld von Bezügen.

Details & Dimensions

Mixed Media:Textile on Soft (Yarn, Cotton, Fabric)

Original:One-of-a-kind Artwork

Size:55.1 W x 39.4 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

born in Hall in Tyrol. lives and works in Vienna and Tyrol. Martina Tscherni’s drawings unfold around her impressive, 20 meters-long “scetchbooks” – paper rolls covered with drawings. The paper rolls are the starting point for her artistic work, they reveal the themes and subjects of Martina Tscherni’s art, illuminate the detailed, meticulous way of her drawings and are the source and initial points for her drawings on paper, the visual storyboards and animation films and even stretched further, her drawings with yarn and thread. Martina Tscherni has dedicated herself to a graphic account of natural organisms and organic microstructures. Stating in person she is a passionate drawer and her paper rolls – with a length up to 20 meters permanently filled with drawings – a kind of sketchbook. Thereby she sets off quite laid-back. And doesn’t know the modernistic fear and panic facing a blank sheet, on which the ultimate masterpiece has to be placed. She starts drawing like going on a long journey, full of relish, step by step, feeling to face a lot of time and space. Martina Tscherni finds her motifs for all her drawings in nature: they weave together anatomically correct illustrations of brain convolutions, the ever-recurring stag beetles, extreme magnifications of microscopic life forms, and powerful mountain silhouettes. Objects are joined together on the paper by apparently errant lines made of delicate points, extending over the picture surface like a net. Martina Tscherni is transferring, translating, visualizing. In her meticulous drawings she uncovers bryozoans, calcareous sponges, algae - all organisms not visible to the naked eye - giving shape and outlines to them. Being fascinated by them she mostly uses illustrations of micrographs, you can find in natural scientific books from the 19th century. For the animation movies Martina Tscherni uses several layers of style - the far eastern tradition of role models and paper rolls as the oldest form of graphic illustration and even further, the most ancient carrier of information carrier -, as well as the graphic depiction of organic and herbal microorganisms common in natural sciences of the 19th century. In slow motion subtle sketches of textures of algae and other shapes are scrolling across the screen backed by scientific microscopic pictures. While it takes a lot of time for the accurate sketches, the recipient soon perceives eagerness.

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