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Augmented Reality experience activation QR Code
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Blue Venus Virtual Sculpture - Limited Edition of 10

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Blue Venus Virtual Sculpture - Limited Edition of 10 Artwork

Francesca Fini

Italy

New Media, 3D Sculpting on Paper

Size: 19.7 W x 27.6 H x 0.1 D in

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About The Artwork

BLUE VENUS / FINE ART PRINT & VIRTUAL SCULPTURE FRANCESCA FINI, 2021 Giclée fine art print of a rendering obtained manipulating and re-working a 3D scan of Venus de Milo's head. The artwork, by new media artist and activist Francesca Fini, wants to become the digital equivalent of the classic material find: an electronic, non-finished relic, fixed forever in the blockchain. The print contains the QR-Code activating the augmented reality experience that allows you to visualize the virtual sculpture in your own space. ​ Limited edition of 10 prints Size: 50cm X 70cm​ Hahnemühle Fine Art Paper Each limited edition copy is numbered, signed by the artist, and travels with an authenticity certificate encrypted and securely recorded permanently on the blockchain through Verisart.

Details & Dimensions

New Media:3D Sculpting on Paper

Original:One-of-a-kind Artwork

Size:19.7 W x 27.6 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I'm an interdisciplinary artist focused on experimental cinema, digital animation, new media, installation, and performance art. My live projects are often addressing issues related to the relationship between public and private spaces, between the show and the audience, representation, and interaction, but also reflect on the influences of society on gender and women's issues and the distortions in the perception of beauty produced by the market and mainstream media. Both my live and non-live works are a mix of traditional media, lo-fi technology, interaction design devices, generative audio, and video. Primarily interested in video and live art, I also create artworks assembling performance art relics and video stills. With a deep training as a digital artist, I worked for fifteen years in the field of digital media and television. Among the most important art events in which I took part in the last few years, I would mention the 2011 WRO Biennale in Poland, CINEMED Film Festival in Montpellier, NordArt International Art Exhibition, Berlin Directors Lounge and IKONO TV Film Festival in Germany, Videoformes Festival in Clermont Ferrand, Szczecin European Film Festival (SEFF) in Poland, FILE Electronic Language International Festival in Brasil, Athens Videoart Festival, IVHAM New Media Arts Fest and Proyector Festival in Madrid, CYBERFEST and Now&After in Russia, Robot Festival in Bologna, Instants Video numériques et poétiques in Marseille, BORDERCROSSING - official collateral event @ MANIFESTA12, MEM Festival at the Guggenheim Museum in Bilbao, BODY + CAMERA at MANA Contemporary Chicago, Un-Becoming at SomoS Art House Berlin, the Japan Media Arts Festival in Tokyo and the Margaret Guthman Musical Instrument Competition, organized by the Georgia Institute of Technology in Atlanta. As a pure performance artist, I was part of the iconic first edition of the Venice International Performance Art Week, featuring among the others the work of Valie Export, Jan Fabre, Yoko Ono, Marina Abramovic, and Hermann Nitsch. In 2014 and 2016 I've been an artist in residence at Bob Wilson's Watermill Center in New York. In 2016 I wrote and directed Ophelia did not drown; an experimental feature film based on the hybridization between found-footage (from the national archive Istituto Luce Cinecittà) and original contemporary performative language, considered by legendary movie art critic Adriano Aprà, one of the best Italian films of the last twenty years. www.

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