"5 de enero" Painting
Painting, Acrylic on Canvas
49.2 W x 49.2 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
This artwork is not for sale.
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Albert Camus died on 4 January 1960 at the age of 46 in a car accident near Sens, in Le Grand Fossard in the small town of Villeblevin. In his coat pocket lay an unused train ticket. He had planned to travel by train with his wife and children, but at the last minute he accepted his publisher's prop...
Year Created:
2011
Subject:
Styles:
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
49.2 W x 49.2 H x 0.8 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Argentina.
Customs:
Shipments from Argentina may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Need more information?
Maria Ferrari Hardoy
Argentina
My work comes from the stream of consciousness, from what I’m reading at the moment, from the movie I saw last night. I’m not an artist that reworks over and over the same subject. The constant in my work is the concern for the questions raised by Painting. My interest lies on the crossovers between figuration and abstraction. The interzone in between, exploring its limits. I paint for those who acknowledge my filiations, but also for those who don’t. I work with fragments I cut out. I take them from reality, from ideas, photographs, dreams and hallucinations. They turn in as a figurative anchorage that then dissolves and distorts, sometimes into total abstraction. I believe that the ambiguous is truer than the certain. The thickness gains shape. Primordial assumptions are transfigured. From here the essence emerges. In this ferocious struggle I plunge off and return until I reach a fertile ground in which that original cut out, after it’s odyssey, repositions, anchors and materializes new intruder fragments that resignify their origin. Maria Ferrari Hardoy, February 2014
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