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741 Etude en bleu Painting

Félix Hemme

France

Painting, Oil on Canvas

Size: 7.9 W x 7.9 H x 0.4 D in

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$490

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Preparatory study in a larger format that can be interpreted as a flower. Ultramarine blue pigment. It uses the recurring motif that he has developed and allows him to freely bridge the gap between figuration and pure abstraction. This pattern can evoke clouds, waves or hills: at the discretion of t...

Year Created:

2023

Subject:
Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

7.9 W x 7.9 H x 0.4 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Need more information?

Félix was born in France in 1976. He lives and works in the South West of France. "A full-time self-taught artist for over a decade, my artistic identity is deeply rooted in an obsession and bulimia for the act of painting and creating. This obsession is clearly manifested in my distinctive technique, a process I have developed that is a form of “scratching.” This method deliberately alters the surface of the canvas - and more recently also the surface of my sculptures - at a precise moment of creation, highlighting the most powerful trace of the brush. This surface-destructive approach aims to explore what lies "beneath" the oil paint, whether the canvas itself, an underlying color, a drawing, a painted image or the painted volume. In short, it seeks to reveal the truth hidden behind what is visible, perhaps my own identity. The repetitive pattern that I use, evoking waves, clouds, hills, even scales, depending on the viewer's interpretation, allows me to navigate between figuration and abstraction without hindrance. Currently, my drawing is voluntarily reduced to its simplest expression, just like the shapes of my sculptures."

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