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A Bit of Sea Painting

Katia Demyanova

Italy

Painting, Oil on Canvas

Size: 19.7 W x 13.7 H x 0.7 D in

Ships in a Crate

$2,000

Shipping included

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89 Views

2

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This painting represents the Abruzzo hill with two houses with red roofs and cypresses over the Adriatic sea in its beauty in the distance. On the splendid and cold winter day, the day after Italy was closed for Covid forty years and this work was built according to the squeaks. It was like my farew...

Year Created:

2020

Subject:
Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 13.7 H x 0.7 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Expressionist paintings, pastels, and watercolors by the Italian artist Katia Demyanova I'm Katia. Katia Demyanova. And I do painting, already more than 30 years. In the field of artistic expressiveness there are themes that have always occupied a relevant place — for me it's borders. The border between sleep and reality, between light and shadow, between the figurative and the abstract. And this is more important. In my paintings you see the trees, the houses, the sea and the sky, even people sometimes. But it is useless to try to calculate the tiles on the roofs or the olives in the garden — the detail does not already exist. I have a series of paintings — “The objects that disappear”, the objects are still there, still present, even recognizable, but for how long. Who knows — this for me is a boundary between the concrete and the abstract. The location the most vulnerable and the most interesting. Therefore painting for me is like a bridge, a bridge, where you walk with your impressions that you have to transform who knows how. And perhaps this is also the metaphor of life itself, but this is too sad. And whether to talk about concrete things: I was born in Moscow, where I also took my first painting lessons. Then came Paris — Ecole des Beaux Arts. Then I was forced to leave Russia, and with my husband we have chosen Italy and have moved to Lanciano, a miraculous city in Abruzzo. Now I live and work in Lanciano.

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Artist featured by Saatchi Art in a collection

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