











Painting, Ink on Paper
23.6 W x 23.6 H in
Ships in a Box
This work will ship flat in a sturdy, well-protected cardboard box. Read More
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Artist Recognition
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
An original ink painting on Chinese mulberry paper. That is mounted onto a Fabriano cartridge paper (120gsm) substrate with archival rice starch paste. The cartridge is mounted to a secondary substrate of board with wheat paste. Providing a rigid structure to the work. The edges are gilded with copp...
Year Created:
2016
Subject:
Mediums:
Painting, Ink on Paper
Rarity:
One-of-a-kind Artwork
Size:
23.6 W x 23.6 H x 2 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.Process is central within the painting practice of Rod McIntosh. His mark making has a fluidity and honesty that reveals itself through a muted pallet of monotones. This lends the work a striking and minimal appearance, which coalesces with the quiet sensitivity to his materials, time invested and action. Presence and concentration is key to his practice in cultivating a meditative quality. Examining his temporal gestures, alongside ideas of mindfulness, permanence, attachment and acceptance.
For McIntosh the provenances and particular characteristics of each material are of great importance. Following closely traditional eastern recipes for archival inks and pastes he works upon delicate Chinese papers that absorb every fluid gestural movement as he accepts the brevity of a final committed action.
With his body, the breath along with materials, and repetitive often-obsessive processes, focuses an attention to the present. Observing and recording the moment of creation within a continuum.
He speaks of them as;
“Physical meditations, that offers himself, and the viewer, a moment to pause.”
Recognition:
Featured in the Catalog
Showed at the The Other Art Fair
Artist featured in a collection
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